Tag Archives: concert

Grant us Peace

This term Birmingham Festival Choral Society will be preparing thought-provoking works by Vaughan Williams and Howard Goodall to mark 100 years since the ending of the first World War. We will join with Ryton Chorale, David Wynne’s other choral society, for two concerts in November.

The theme of the concert is ‘Grant us Peace’.

Vaughan Williams produced his plea for peace, ‘Dona Nobis pacem’ at a time when there were fears of a second World War, so shortly after the first. His texts were taken from the Mass, the Bible, a political speech and three poems by Walt Whitman. The phrase Dona nobis pacem (“Give us peace”), in different settings, punctuates the entire piece.

‘Eternal Light’ by Howard Goodall uses phrases from the Latin Requiem in each movement, beside words from English poetry from across the last 500 years, in an attempt to provide some solace for the living who mourn those lost as a result of war.

GRANT US PEACE.

Reflective music to mark the ending of the First World War.

Saturday 10 November 2018, 7.30pm

Crossing Church and Centre, Newcastle Street, Worksop S80 2AT

Saturday 17 November 2018, 7.30pm

St George’s Church, Edgbaston, Birmingham, B15 3DQ

Howard Goodall, Eternal Light

Vaughan Williams, Dona Nobis Pacem

Birmingham Festival Choral Society and Ryton Chorale.

Holly Teague, Soprano

Miles Taylor, Baritone

Kevin Gill Darren Hogg and Mitch Holland, Piano and organ.

Vera Khait, harp

Conductor: David Wynne

Poster image: Chris Fletcher.

Our professional jazz performers for ‘Mass in Blue’

We have an exciting line up of professional jazz musicians for our performance of Will Todd’s Mass in Blue on Saturday 14th July!

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Hannah Davey, sings the soprano solo, which is a major part of the work and has great moments of interplay with the choir. Hannah has the rare talent of being equally at home singing classical and jazz music. As well as professional singing, Hannah works with the charity ‘Music for Autism’which provides high calibre performance for children and adults with special needs.

Our Jazz Trio consists of Chris Corcoran, piano, Mike Green on upright bass and Dave Wilkes on drums.

Chris is well known in the Birmingham area as a director or accompanist for musical theatre. He enjoys arranging and composing jazz music, and has played and toured with many bands.

Mike’s experience varies from small intimate Jazz Clubs to appearing on national TV. In recent years he has been touring and recording with Gypsy jazz guitarist Remi Harris.

Dave was playing in the junior section of the Midlands Jazz Orchestra as young as 6 years of age! In more recent years he’s played with many bands on tour, and in theatre for shows such as ‘Legally Blonde’ and ‘Back to the 80s’ in Birmingham.

We can’t wait to perform ‘Mass in Blue’ with such  exciting musicians!

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Choral Jazz and Blues

 

CHORAL JAZZ & BLUES

If you regularly attend performances by the Birmingham Festival Choral Society (which we sincerely hope you do!) you will find next month’s event something of a contrast.  All of the works are British, contemporary, in the jazz idiom – and, by all accounts, highly popular with audiences. The concert is called CHORAL JAZZ & BLUES: the lighter side of choral music.  Moreover, it will take place not at our normal church or concert hall venues but in the Informal setting of Trefoil House in central Birmingham, with food and drink at your table while you soak up the music.

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What of the music itself?  The main item, Mass in Blue, written by Will Todd, is a remarkable fusion of two very different musical traditions: the sung Mass (whose European origins date from medieval times) and the Blues (of African-American 19th century origin, a forerunner of jazz).  This reflects the Durham-born composer’s “double life”, on the one hand an experienced chorister and classically-trained pianist, and on the other a jazz musician in his ‘down time’.

The work, accompanied by a small jazz ensemble (piano, upright bass, drums – and a virtuoso soprano soloist) features the traditional sections of the sung Catholic Mass (Kyrie, Gloria, Credo, Sanctus, Benedictus, Angus Dei).  For those familiar to conventional Mass settings, there will be much to recognise: plainchants and Latin rhythms interwoven with Blues-style syncopation, improvisation and melodies.  First  performed in 2003, Mass in Blue was an immediate success, and is an increasingly popular item of the choral repertoire.

Two further works in the jazz idiom feature in the programme. Songs and Sonnets is a cycle of seven familiar Shakespeare verses (including  It was a lover and his lass and Who is Sylvia?) by the revered British jazz pianist and composer Sir George Shearing, who died in 2011.  The concert will also include Birthday Madrigals by the popular choral composer John Rutter, who was commissioned to write this collection of songs on the occasion of Shearing’s 75th birthday.

CHORAL JAZZ & BLUES, with the Birmingham Festival Choral Society conducted by Kevin Gill, takes place at Trefoil House, Blucher Street B1 1QL, on Saturday 14 July at 6.30pm.  You are welcome to bring some supper to enjoy at your own table.  There will be a bar available from the start of the concert for wine and soft drinks.

St John Passion on the eve of Holy Week.

An audience of 200 people came to St Augustine’s. Edgbaston on Saturday to hear Birmingham Festival Choral Society sing Bach’s St John Passion. They were held spellbound by the story of the events of Holy week told in recitative form by the Evangelist (Andrew King) and Jesus (Andrew Tipple). The story was interspersed with exciting choruses and reflective chorales from the choir. Emilia Morton, Matthew Venner, Robert Jenkins and Richard Patterson each sang beautiful arias reflecting on the vents of the story.

The Musical and Amicable Society provided the accompaniment at Baroque pitch on period instruments, some familiar and some unfamiliar to 21st century eyes.

St Augustine’s church seemed a very appropriate setting for such moving sacred music, the covering of all church decoration for Passiontide adding to the atmosphere.

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Here is some of the audience feedback from Social Media:

This stunning church (our first visit) provided just the right kind of backdrop for this awesome performance. It was all such a moving and memorable experience. Thank you and congratulations to all those involved.

Thoroughly enjoyed it! Well done!

We were there and thought it was amazing. St Augustine’s church was a beautiful venue for this incredibly moving performance.

What a wonderful, moving evening. A long journey for us and worth every moment.

Watching Andrew was beautiful – so sensitive and really illuminated the story. The choir were beautifully balanced in sound!

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Thank you to Alfred White for these lovely photographs of the concert, and to St Augustine’s for the cover photo.

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West window, St Augustine’s Church Edgbaston. (Photo by Christine Wright)

 

Bach’s St John Passion, with specialist early music performers.

BACH: ST JOHN PASSION. Saturday 24th March 7.30pm. St Augustine’s Church, Edgbaston, Birmingham B16 9JN

On 24th March Birmingham Festival Choral Society will be singing with some very talented and highly regarded instrumentalists and vocal soloists who specialise in early music. We hope that you will be able to share this special occasion with us.

The Musical and Amicable Society Baroque Orchestra

The original Musical and Amicable Society was founded in 1762 by James Kempson, who directed the choir at St Bartholomew’s Chapel, Birmingham. Together with fellow musicians from St Philip’s Church (now Birmingham Cathedral), Kempson and his singers gathered on a regular basis at Cooke’s tavern in the Cherry Orchard “for practice and recreation”. In 2003, Kate Fawcett and Martin Perkins decided to revive this historic society as a collective of professional period-instrument specialists. Their presiding ethos is one of chamber music – however large or small the formation – where each and every performer has a significant role to play. Individually, their members maintain successful freelance careers with some of Europe’s most prestigious period-instrument ensembles.

Andrew King photo Mike Cotter 2018

Andrew King – Evangelist

Andrew King is known mostly as a singer specialising in Renaissance and Baroque music. In his early career he sang with The Tallis Scholars, BBC Singers and as a founder member of The Sixteen. Apart from his solo appearances in oratorio and baroque operas he has always enjoyed small ensemble work. As Evangelist in the Bach St. John and St. Matthew Passions he has performed in many concerts at home and abroad.

Andrew teaches at the Royal Birmingham Conservatoire and also at the University of Birmingham

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Andrew Tipple – Christus

Andrew has appeared in many operatic performances. He also regularly appears in concert, singing a large variety of repertoire including Bach’s St John Passion at Arundel Cathedral.

091 Emilia Morton

Emilia Morton Soprano

As a member of The Sixteen Emilia has made a number of recordings and performed concerts around the world. She is also a member of Tenebrae, with whom she has made many recordings and performed solos in Bach’s Mass in B minor.

Matthew Venner

Matthew Venner Alto

Matthew is a member of the internationally renowned Orlando Consort, an ensemble specialising in medieval and early renaissance music. He has performed with many of today’s leading vocal ensembles including The Cardinall’s Musick, The King’s Consort, The Monteverdi Choir, The Sixteen and The Tallis Scholars.

Matthew has become increasingly in demand as a soloist, and has sung on many recordings.

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Robert Jenkins – Tenor

Robert completed his Bachelor in Music (Honours) degree at Birmingham Conservatoire in 2012, studying under Professor Julian Pike. During his time in Birmingham, Robert was Tenor Lay Clark at Birmingham Cathedral. Robert now follows a freelance career and sings with many professional ensembles, including the BBC Singers, Ex-Cathedra, Polyphony, Philharmonia Voices and Siglo de Oro.

 

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Richard Paterson – Bass

Richard Paterson studied with Julian Pike and Gordon Sandison at the Birmingham Conservatoire, where he sang as part of the Conservatoire Chamber Choir, under the direction of Paul Spicer. Richard sang for the Reinterment of King Richard III in Leicester Cathedral in 2015 before taking up a position later that year as Bass Lay Vicar at Chichester Cathedral, where he sings for regular services and concerts.

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Bach at the Sesquicentenary Festival

The singers of Birmingham Festival Choral Society are looking forward to singing Bach’s St John Passion at the Sesquicentenary celebrations of the church of St Augustine of Hippo, Edgbaston. Apparently , this is the name for 150 years – which means that the church opened just 22 years after our choir’s first performance, in the Birmingham Triennial Festival.

The church has a notable choral tradition, and was the first Anglican church in Birmingham to have a surpliced choir. The composer Herbert Howells wrote his ‘St Augustine’s Service’ for the choir in 1967. The church sits in the middle of the beautiful St Augustine’s conservation area.

We hope that you’ll be able to join us for our concert here on 24th March. Click here for further details of the concert Bach: St John Passion

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Christmas cheer at Ladywood ARC!

When the title ‘Winter’s Snow’ was chosen for our Carol concert, we could not have foreseen that deep snow would fall on the Midlands the week before! Fortunately, the roads were clear by the time of our Carol concert in Ladywood ARC on 16th December.

Our guests were welcomed by the lovely music of a recorder quartet, played by Margaret, Judy, Barry and Margund.

The choir, in their bright Christmas colours, started the concert with ‘See amid the winter’s snow‘ followed by some well loved traditional carols.  Christmas wouldn’t be Christmas without some John Rutter favourites, and they contrasted with the more complex rhthyms of Sir Christemus (William Mathias) and Ceremonies (written by Patrick Larley for the ‘special birthday’ of one of our sopranos a few years ago). The hauntingly beautiful ‘O magnum mysterium’ by Morten Lauridsen was a highlight for many of the singers and audience.

 

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The Christmas music was broken up by Liz’s  dramatic reading of the humorous  Twelve thank you notes of Christmas (John Julius Norwich), and John Betjeman’s poem Christmas, read by David.

Our guests from the Brain Injury Rehabilitation Trust told us of their valuable work, and we were very pleased to find out later that our concert had raised £960 for the Trust.

 

We were a little surprised to find that an organ solo – Bach’s Wachet auf – had been programmed near the end of the concert, and even more surprised when our Music Director, David Wynne, disappeared – but all was explained when he came back, wearing a very dazzling Christmas suit! The concert ended with many smiling faces in the choir, as ‘the suit’ conducted us in Rutter’s Twelve days of Christmas!

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The evening ended with lots of happy chatter as we shared mulled wine and mince pies with our guests in the audience.

Happy Christmas everyone!

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‘Mozart Requiem’ – 18th November!

We do hope that you will be able to come to hear two beautiful works of choral sacred music at the next  Birmingham Festival Choral Society concert.

Mozart’s much-loved Requiem will be performed by BFCS on 18th November, using Czerny’s beautiful, and rarely-heard, accompaniment for piano (four hands).

Mozart died at only 35 – poignantly, whilst working on his Requiem Mass. The mysterious circumstances around his last days formed the basis of the film ‘Amadeus’. The Requiem is a serene epitaph to a supremely gifted and revered composer.

In contrast, Ralph Vaughan Williams lived until his mid-80s. His Mass in G Minor, the other work in the concert, is notable for being the first Catholic Mass to be written in England since the Reformation. His experiences shortly before, as an ambulance driver in in the first World War, must surely have had some influence on the contemplative style of the piece. The Mass reflects the style of Byrd and other great Elizabethan church composers which was enjoying a revival in the early 20th century. It was first performed as a concert piece in Birmingham in 1922, and was first used as an integral part of the Mass in Westminster Cathedral in 1923.

Click here for tickets to Mozart Requiem.

MOZART REQUIEM

Saturday 18th November 7.30pm

Ladywood ARC, St John’s and St Peter’s Church.
Darnley Rd
Birmingham
West Midlands
B16 8TF

Mozart: Requiem 

Czerny’s four-hand piano accompaniment: Kevin Gill and Stephen Hargreaves.

Vaughan Williams: Mass in G minor

for unaccompanied double choir.

Vaughan Williams: Rhosymedre (organ)

Vaughan Williams: Fantasia on Greensleaves (KG and SH, piano)

Vocal soloists from the Birmingham Conservatoire: Olivia Thornber, Elise Fairley, Jack Dolan and Joseph Clayton

Birmingham Festival Choral Society.

Conductor: David Wynne.

 

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Two cities come together in song.

 

‘Two Cities, One Voice’

The Bramall was packed for our second concert with Liverpool Welsh Choral on Saturday! 400 people in the audience, and 250 on stage were eagerly awaiting our big ‘Carmina’ concert.

In the first half was Leonard Bernstein’s ‘Chichester Psalms’, a work with beautiful melodies and contrasting discordant passages with complex rhythms. 13 year old James Corcoran was our soloist, singing the Hebrew version of ‘The Lord’s my shepherd’. The Mixed Metal Percussion Ensemble then amused us with a clever item ‘Suitcase of Sounds’.

It was a warm night, so people were pleased to spill outside into Chancellor’s Court to enjoy interval drinks and conversation in the evening sun.

 

Carmina Burana was the showpiece in the second half! Three choirs singing the famous ‘O Fortuna’ was a powerful opening to the work!

‘O Fortuna’ sings of the Wheel of Fortune – the ups and downs of life. Our posters had all used the image of a fragment of a medieval fresco in Rochester Cathedral, depicting the Wheel of Fortune. It was most interesting to meet a man in the interval who had come to the concert as a result of seeing one of our posters. This image had attracted his attention immediately, as he had been a pupil at the Cathedral School in Rochester, and looked at that fresco on the wall many, many times!

The programme used the image of a screenprint ‘O Fortuna’, made by one of our former sopranos , Norma Southwick, some years ago.

It was good to sing the whole work, as well as O Fortuna at the beginning and the end. The tenors and basses had a particularly large part to sing in the Taverna section. Sam Oram, our baritone soloist, sang the solos in the drunken scene with great conviction!

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The children’s choir in Carmina Burana, drawn from David and Alexandra Wynne’s junior choirs at St Chad’s Cathedral and the Junior Conservatoire, provided an important contribution, and sang their part with confidence.

Edward Harrisson (tenor) and Loretta Hopkins (soprano) both sang very demanding solos with ease.

Finally, the whole scene, with Kevin Gill and Stephen Hargreaves playing the two pianos, Mixed Metal Percussion Ensemble, the soloists and the three choirs, all under David Wynne’s clear and confident direction. Bravo!

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Birmingham Festival Choral Society and Liverpool Welsh Choral thoroughly enjoyed singing these choral works, and the visits to each others cities has led to warm friendships between the two choirs. It has taken a lot of work for the organisers over two years, but it was definitely worth it! Here’s to the next time!

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Message from the MD of Liverpool Welsh Choral, Keith Orrell

Well done everyone last night. Two great concerts and many happy friendships and musical highs. All the best BFCS.

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Carmina – this Saturday!

Following our very successful concert in Liverpool’s Philharmonic Hall, we’re really looking forward to singing again with Liverpool Welsh Choral on Saturday (17th June). The Liverpool singers will join us on the stage of the Elgar Concert Hall, Bramall Music building, to sing Carmina Burana and the Chichester Psalms once again.

The Lord Mayor of Birmingham and her consort will be there – we hope you will be too!

Click here for ‘Carmina’ tickets.

We will also be joined by young singers from David’s Wynne’s Junior Choirs at St Chad’s and the Birmingham Conservatoire.

The soloists will be Loretta Hopkins, Samuel Oram and Edward Harrison.

 

Simplified Carmina