Category Archives: Choral

Beautiful Brass!

 

Birmingham Festival Choral Society came together with Gemini Brass on 30th March to give a concert of glorious choral music. A full choir of 90 with brass ensemble and percussion performing grand works from royal occasions, such as ‘I was Glad’ (Parry), and ‘Coronation Te Deum’ (Walton), was a wonderful experience for both choir and audience.

Brass instruments aren’t just for loud music, however. This video clip shows Nigel Turner playing the beautiful trumpet solo in the third verse of ‘The Old Hundredth’, arranged by Vaughan Williams. It was recorded during our rehearsal by fellow trumpeter Mike Bates.

The clip above and the photo below show the choir singing ‘The Old Hundredth’ from memory. Although memory singing would not be possible in long, complex works, it is very liberating to do occasionally – and the conductor loves having all eyes watching him!

BFCS Gloria 2019 (Alf White) (20)

Brass and percussion are also an inspiring accompaniment for rhythmic choral works such as Rutter’s thrilling Gloria (which gave the title to the concert), and Vaughan Williams’ ‘O clap your hands’.

Contrast was provided in the concert by the beautiful melodic pieces of Will Todd and Jean Dattas. The sensitive piano and organ accompaniments were provided most ably, as always, by Kevin Gill.

BFCS Gloria 2019 (Alf White) (9)

The ‘Gloria’ concert included works by two composers with special links to BFCS. 2019 is the centenary of the birth of Jean Dattas, whose daughter, Sylvie, sings in BFCS and made us aware of his sacred choral compositions. Jean Dattas was a French organist, teacher and composer in Paris, then in London. It was good to have some English members of the family in the audience but, unfortunately, the French members of the Dattas family who were planning to get to the concert by Eurostar were prevented by problems both sides of the channel. We’re pleased that they were able to hear us perform Dattas’ Kyrie and Agnus Dei on tour in Burgundy three years ago.

We were also very pleased that some of John Joubert’s family were able to attend our concert to hear us perform his composition ‘O praise God in his holiness’ in his memory. John Joubert was Patron of BFCS for many years until his death in January of this year.

BFCS Gloria 2019 (Alf White) (4)

BFCS Gloria 2019 (Alf White) (5)

The dazzle of the brass instruments in the spot lights was nearly matched by the shiny gold shoes of our conductor, David Wynne!

We were delighted to have such a full audience for this concert, despite the clash with a lot of other concerts on the same evening. Their warm appreciation made all the hard work worthwhile. A great evening all round!

Many thanks to Alfred White for taking these excellent photos at the concert.

Gloria Full flyer

Gloria – a concert not to be missed!

We hope that you are looking forward to our ‘Gloria’ concert on Saturday 30th March. Here are the programme notes about the feast of music awaiting you there:

Welcome to our concert.  I trust that you weren’t expecting a quiet relaxing occasion: the title should give you a clue that this will be an evening of joyful celebration, and the presence of a brass band makes that even more obvious!  Variety is the name of the game, with no fewer than six British (and one French) composers represented, and there are links with four coronation ceremonies and several other royal occasions.  We may also note how composers often draw inspiration from the Bible, with settings of four psalms and another scripture passage on display.

By far the oldest text which we are performing is the “Old Hundredth”, an English version of Psalm 100 which first appeared in the Anglo-Genevan Psalter (1561).  The words are attributed to a Scots clergyman, William Kethe, and the tune to a Frenchman, Louis Bourgeois.  The arrangement which we are singing (which includes the instruction “all available trumpets” for the final verse!) was made by Ralph Vaughan Williams (1872-1958) for the coronation of Queen Elizabeth II in 1953.

Vaughan Williams had written a Te Deum for the coronation of George VI in 1937, and might well have hoped for a repeat performance in 1953.  Instead, however, William Walton (1902-1983) was commissioned to write a new version, which is the one we are singing tonight.  The words of the Te Deum, a translation of a fourth-century Latin hymn, describe how God is praised by many different groups.  Here they are given a dramatic setting, full of antiphonal effects and making good use of the brass – as you would expect for the pomp of a coronation.  It was first sung as the Queen left at the end of the ceremony.  Although we are not singing Vaughan Williams’ setting, we are (in compensation?!) featuring his exuberant setting of Psalm 47, O clap your hands, written in 1920.

The anthem which has been sung at every coronation since 1902 is the spectacular I was glad, by Hubert Parry (1848-1918).  As it happens, the tradition of singing Psalm 122 as the monarch enters Westminster Abbey dates all the way back to Charles I, the words having been set by a number of composers including Henry Purcell and William Boyce.  At the 1902 coronation, Parry’s setting actually had to be sung twice, as the director of music misjudged the timing and finished it before King Edward VII had even arrived!

We are also featuring pieces by two composers with special links to BFCS.  To mark the centenary of his birth, we will perform three pieces by Jean Dattas (1919-1975), former organist of Notre Dame in Paris, whose daughter is one of our sopranos.  When we first sang the two movements from his Messe cum Jubilo in 2016, on our tour of Burgundy, they excited great interest: tonight we are adding a simple but effective setting of Ave Maria.  And as a tribute to our patron John Joubert (1927-2019), who died two months ago, we are singing his exuberant setting of Psalm 150, O praise God in his holiness.

Listen to BFCS singing music by Jean Dattas on tour in Auxerre, France.

So to our youngest composer, Will Todd (born 1970), whose jazzy Mass in Blue we performed last July.  The three pieces in this concert have a more traditional feel, albeit with several syncopated episodes.  The Lord is my Shepherd, a setting of the well-known Psalm 23, is part of a Te Deum which was commissioned in 2009, and Stay with me, Lord was commissioned by the Sixteen in 2008, but then extensively rewritten for a 2012 performance by Tenebrae.  The third piece, The Call of Wisdom, has a royal connection: it was composed for the Queen’s diamond jubilee, and first performed at St Paul’s Cathedral on 5 June 2012 in her presence.  In the text, taken from the book of Proverbs, Wisdom calls on us to follow her, ignoring the lures of gold or silver.

The actual title of our concert derives from our final musical offering.  John Rutter (born 1945) has recently composed pieces for two different royal occasions; however, his setting of the Gloria is an earlier work, dating from 1974.  Rutter divides the text into three sections: the first is fast and full of verve, whereas Domine Deus is quiet and meditative, with some beautiful solos for the upper voices.  The final section, Quoniam tu solus sanctus, starts at almost breakneck speed; it finishes with a repeat of the opening Gloria, a lively fugue (Cum sancto Spiritu), and a splendid Amen.  It has been said that Rutter “writes music that people want to perform and to hear”.  We have certainly enjoyed preparing this piece, and indeed the whole repertoire – so we hope you will enjoy listening to it all!

David Fletcher

Gloria Full flyer

New Year’s Resolution? Join a Choir!

Do you, or someone you know, fancy joining a choir – but aren’t quite sure? Why not come along to our Open Rehearsal on Wednesday 9th January? We’re a friendly group of men and women of all ages, united by a love of singing.

Come along to Lordswood Girls School  at 7pm to have time to be welcomed, and introduced to someone in your voice part who will help guide you through the rehearsal. We’ll have a break for refreshments and socialising half way through. The rehearsal finishes at 9.30pm.

Click here for more information about joining our choir. We’d be grateful if you would pass this information on to anyone you think might be interested in our Open Rehearsal.

This is the concert we’ll be working towards this term. It includes some lovely choral classics , and some new works too. All wonderful to sing and enjoy!

Gloria Full flyer

Come to our Christmas Charity carol Concert!

Take a break from the Christmas preparations, and come and enjoy an evening of Christmas music with Birmingham Festival Choral Society!

Ladywood ARC

Next Saturday the choir will be singing carols old and new, and a selection from Britten’s ‘Ceremony of Carols’. The evening will also include readings of Christmas poetry and opportunities for the audience to join in singing well-known carols. 

We hope that the concert will raise a big sum for our nominated charity: B.I.D. Services (formerly Birmingham Institute for the Deaf). A representative of the charity will tell us about the important work they do.

Last but not least, we’d love you to join us for seasonal refreshments after the concert!

Click here for tickets to our concert.

Shakespeare and the Latin Mass – jazz style.

A full hall for 'Choral Jazz and Blues' (Photo by David Jones)

Trefoil House was full for our ‘Choral Jazz and Blues’ concert on a hot night in July. Our guests relaxed at tables, sipping their drinks and eating their snacks as they listened to a style of choral music that was very different to the usual BFCS repertoire.

It was a treat for the singers to be accompanied by such skilful Jazz musicians. Chris Corcoran on piano, Dave Wilkes on drums and Mike Green on upright bass gave us a rhythmic accompaniment that really boosted our singing!

Photo by David Jones.BFCS accompanied by the Jazz trio Photo by David Jones)

The first half of the programme consisted of George Shearing’s ‘Songs and Sonnets from Shakespeare’, and the ‘Birthday Madrigals’ that John Rutter wrote for Shearing’s 75th birthday. Both works fuse traditional choral music with American Jazz influences. The Jazz Trio then entertained us, while people refilled their glasses or stepped outside to cool down.

The highlight of the evening came after the interval. ‘Mass in Blue’, Will Todd’s popular setting of the Latin Mass, combines his background in sacred choral music with his love of jazz. Although the style had seemed unfamiliar at the beginning of term, the BFCS singers had soon come to love the beauty of the Kyrie and Sanctus, the fun of the Benedictus, and the excitement of the Credo and Agnus Dei! Our soprano soloist Hannah Davey was just awesome, effortlessly moving between the loudest sections, with top Cs, and the spine-tingling beauty of the ‘Et incarnatus est’.

Hannah Davey 2

What a lovely surprise to find out that the concert had been recorded from the audience! Thank you to Alex Botten for sending this to us:

This concert was very popular with both singers and audience, and we hope to explore some other choral jazz works in the future. Watch this space!

 

David Jones IMG_3218Mandy Hart IMG-20180714-WA0001

Many thanks to David Jones and Mandy Hart for taking these pictures from the audience.

Summer flyer (1)

Our professional jazz performers for ‘Mass in Blue’

We have an exciting line up of professional jazz musicians for our performance of Will Todd’s Mass in Blue on Saturday 14th July!

Hannah Davey 2

Hannah Davey, sings the soprano solo, which is a major part of the work and has great moments of interplay with the choir. Hannah has the rare talent of being equally at home singing classical and jazz music. As well as professional singing, Hannah works with the charity ‘Music for Autism’which provides high calibre performance for children and adults with special needs.

Our Jazz Trio consists of Chris Corcoran, piano, Mike Green on upright bass and Dave Wilkes on drums.

Chris is well known in the Birmingham area as a director or accompanist for musical theatre. He enjoys arranging and composing jazz music, and has played and toured with many bands.

Mike’s experience varies from small intimate Jazz Clubs to appearing on national TV. In recent years he has been touring and recording with Gypsy jazz guitarist Remi Harris.

Dave was playing in the junior section of the Midlands Jazz Orchestra as young as 6 years of age! In more recent years he’s played with many bands on tour, and in theatre for shows such as ‘Legally Blonde’ and ‘Back to the 80s’ in Birmingham.

We can’t wait to perform ‘Mass in Blue’ with such  exciting musicians!

36580704_1966263700072897_2230185858919563264_o

‘Magic mushrooms’ and other singing tips

Thanks to the Birmingham Music Library for this lovely Blog about BFCS!

In Concert

The music’s live! again, and this time we’re in the company of a local choir, the Birmingham Festival Choral Society (BFCS, for short).

A Bit of history

BFCS has a long history, stretching way back into the nineteenth century. Its history is intertwined with that of the Birmingham Triennial Music Festivals. The Festivals were held every three years to raise money for the Birmingham General Hospital. As the nineteenth century progressed, the Festival administrators spent a lot of time and effort attracting the best musical talent to compose and perform new choral music. These commissions composed by Mendelssohn, Dvorak, Sullivan, Gounod, Stanford, and later, Elgar, represented some of the best music of the time, and the BFCS was there, right at the centre. BFCS singers formed the core of each chorus used at the Festivals.

View original post 547 more words

Choral Jazz and Blues

 

CHORAL JAZZ & BLUES

If you regularly attend performances by the Birmingham Festival Choral Society (which we sincerely hope you do!) you will find next month’s event something of a contrast.  All of the works are British, contemporary, in the jazz idiom – and, by all accounts, highly popular with audiences. The concert is called CHORAL JAZZ & BLUES: the lighter side of choral music.  Moreover, it will take place not at our normal church or concert hall venues but in the Informal setting of Trefoil House in central Birmingham, with food and drink at your table while you soak up the music.

2to1 image copy

What of the music itself?  The main item, Mass in Blue, written by Will Todd, is a remarkable fusion of two very different musical traditions: the sung Mass (whose European origins date from medieval times) and the Blues (of African-American 19th century origin, a forerunner of jazz).  This reflects the Durham-born composer’s “double life”, on the one hand an experienced chorister and classically-trained pianist, and on the other a jazz musician in his ‘down time’.

The work, accompanied by a small jazz ensemble (piano, upright bass, drums – and a virtuoso soprano soloist) features the traditional sections of the sung Catholic Mass (Kyrie, Gloria, Credo, Sanctus, Benedictus, Angus Dei).  For those familiar to conventional Mass settings, there will be much to recognise: plainchants and Latin rhythms interwoven with Blues-style syncopation, improvisation and melodies.  First  performed in 2003, Mass in Blue was an immediate success, and is an increasingly popular item of the choral repertoire.

Two further works in the jazz idiom feature in the programme. Songs and Sonnets is a cycle of seven familiar Shakespeare verses (including  It was a lover and his lass and Who is Sylvia?) by the revered British jazz pianist and composer Sir George Shearing, who died in 2011.  The concert will also include Birthday Madrigals by the popular choral composer John Rutter, who was commissioned to write this collection of songs on the occasion of Shearing’s 75th birthday.

CHORAL JAZZ & BLUES, with the Birmingham Festival Choral Society conducted by Kevin Gill, takes place at Trefoil House, Blucher Street B1 1QL, on Saturday 14 July at 6.30pm.  You are welcome to bring some supper to enjoy at your own table.  There will be a bar available from the start of the concert for wine and soft drinks.

Bach’s St John Passion, with specialist early music performers.

BACH: ST JOHN PASSION. Saturday 24th March 7.30pm. St Augustine’s Church, Edgbaston, Birmingham B16 9JN

On 24th March Birmingham Festival Choral Society will be singing with some very talented and highly regarded instrumentalists and vocal soloists who specialise in early music. We hope that you will be able to share this special occasion with us.

The Musical and Amicable Society Baroque Orchestra

The original Musical and Amicable Society was founded in 1762 by James Kempson, who directed the choir at St Bartholomew’s Chapel, Birmingham. Together with fellow musicians from St Philip’s Church (now Birmingham Cathedral), Kempson and his singers gathered on a regular basis at Cooke’s tavern in the Cherry Orchard “for practice and recreation”. In 2003, Kate Fawcett and Martin Perkins decided to revive this historic society as a collective of professional period-instrument specialists. Their presiding ethos is one of chamber music – however large or small the formation – where each and every performer has a significant role to play. Individually, their members maintain successful freelance careers with some of Europe’s most prestigious period-instrument ensembles.

Andrew King photo Mike Cotter 2018

Andrew King – Evangelist

Andrew King is known mostly as a singer specialising in Renaissance and Baroque music. In his early career he sang with The Tallis Scholars, BBC Singers and as a founder member of The Sixteen. Apart from his solo appearances in oratorio and baroque operas he has always enjoyed small ensemble work. As Evangelist in the Bach St. John and St. Matthew Passions he has performed in many concerts at home and abroad.

Andrew teaches at the Royal Birmingham Conservatoire and also at the University of Birmingham

OLYMPUS DIGITAL CAMERA

Andrew Tipple – Christus

Andrew has appeared in many operatic performances. He also regularly appears in concert, singing a large variety of repertoire including Bach’s St John Passion at Arundel Cathedral.

091 Emilia Morton

Emilia Morton Soprano

As a member of The Sixteen Emilia has made a number of recordings and performed concerts around the world. She is also a member of Tenebrae, with whom she has made many recordings and performed solos in Bach’s Mass in B minor.

Matthew Venner

Matthew Venner Alto

Matthew is a member of the internationally renowned Orlando Consort, an ensemble specialising in medieval and early renaissance music. He has performed with many of today’s leading vocal ensembles including The Cardinall’s Musick, The King’s Consort, The Monteverdi Choir, The Sixteen and The Tallis Scholars.

Matthew has become increasingly in demand as a soloist, and has sung on many recordings.

Rob Jenkins-8

Robert Jenkins – Tenor

Robert completed his Bachelor in Music (Honours) degree at Birmingham Conservatoire in 2012, studying under Professor Julian Pike. During his time in Birmingham, Robert was Tenor Lay Clark at Birmingham Cathedral. Robert now follows a freelance career and sings with many professional ensembles, including the BBC Singers, Ex-Cathedra, Polyphony, Philharmonia Voices and Siglo de Oro.

 

Richard Paterson headshot

Richard Paterson – Bass

Richard Paterson studied with Julian Pike and Gordon Sandison at the Birmingham Conservatoire, where he sang as part of the Conservatoire Chamber Choir, under the direction of Paul Spicer. Richard sang for the Reinterment of King Richard III in Leicester Cathedral in 2015 before taking up a position later that year as Bass Lay Vicar at Chichester Cathedral, where he sings for regular services and concerts.

Final Bach flyer (5)

J S Bach: St John Passion

BACH: ST JOHN PASSION

During the holy season of Lent it is hard to imagine a spiritually more uplifting experience than listening to, or performing, one of the magnificent settings by J.S. Bach of the Passion of Jesus Christ.

One of the greatest choral works of all time, the St John Passion has been described as a deeply human, intensely dramatic telling of Christ’s betrayal, suffering and death set to music of heartbreaking beauty. It was first heard in St Thomas’s Church, Leipzig, in 1724 as one of the Good Friday liturgies; how fitting, therefore, that a performance by one of the Midlands’ premier choirs, the Birmingham Festival Choral Society, will be held on the eve of Holy Week, Saturday March 24th.

The choir’s Music Director David Wynne regards Bach’s St John Passion as “a remarkable work, combining large-scale chorus movements, congregational chorales and solo movements. It was written three years before the same composer’s St Matthew Passion and, being on a smaller scale, is often considered more intimate.”

Adding to the authenticity of the performance will be the participating orchestra, “The Musical & Amicable Society”, a renowned baroque ensemble, together with a team of distinguished international soloists led by Andrew King (The Evangelist). Moreover, for many who prefer sacred works to be heard in an ecclesiastical setting rather a concert hall, the Passion will be held in the one of the city’s most beautiful churches, St Augustine’s, Edgbaston.

The Birmingham Festival Choral Society’s performance of Bach’s St John Passion at St Augustine’s Church, Lyttleton Road, Birmingham B16 9NJ will take place on Saturday March 24th at 7.30pm.

Click here for tickets to Bach’s St John Passion

Final Bach flyer (5)

St Augustine's Edgbaston-5200
St Augustine’s Church, Edgbaston B16 9JN