We hope that you will enjoy listening to the beautiful Kyrie by Josef Gabriel Rheinberger, sung by the Birmingham Festival Choral Society virtual double choir.
The Kyrie is the first movement of Rheinberger’s most famous choral work, the Mass for double choir in E flat, (Cantus Missae) Op 109. Written in 1878, it recalls the old compositional style of alternating unaccompanied choirs , as used in late Renaissance Venice. Listening through stereo headphones is the best way to appreciate the full double choir effect .
We hope that you will enjoy the images and music on this recording of Paul Fincham’s ‘Ring the Bells’, from the BFCS virtual choir. Hear the swinging bells in the different voice parts!
The composer wrote this Christmas piece in 2019 to raise money for ‘Crisis’, the charity for homeless people. Birmingham Festival Choral Society sang it at last year’s Crisis Carol Service in St Martin’s in the Bull Ring, and this year we’ve sent them this recording for their use.
Birmingham Festival Choral Society is pleased to present our recording of the beautiful ‘Cantique de Jean Racine’, by Gabriel Faure.
This composition won the 19 year old Faure first prize in a competition at his school of Church music in Paris, in 1865. The French text, “Verbe égal au Très-Haut” (Word, one with the Highest), was written by Jean Racine in 1688.
We hope that you will enjoy the Paris connection through images of the medieval stained glass in Sainte Chapelle.
This virtual performance was put together by Gareth Howell, using individual recordings sent from home by our singers. We look forward to a time when the pandemic is over and we can sing together in real life.
Wikipedia photo credits: Sam67Fr, Javi Masa, Oldmanisold, Grunt XIII.
We hope that you will enjoy our performance of Mozart’s Ave Verum Corpus, recorded individually in our own homes, and brought together with some digital magic.
Click the symbol in the bottom right corner to make the video fill the full screen.
Our last concert was in November, when we sang Handel’s Messiah to a packed audience in St Alban’s Church. The beginning of the concert was delayed while our front of house team ran around trying to find extra chairs and spaces to fit in the people who were still arriving. Who could imagine that now!
We had great plans for 2020, our 175th Anniversary, but the Covid-19 Pandemic put an end to all of that. But nothing will stop Birmingham Festival Choral Society singing, so we are proud to present our first Virtual Choir Performance to you.
Many thanks to David Wynne for leading us through this process, to Kevin Gill the accompanist, the BFCS singers who overcame the technological obstacles to make their recordings, and to Gareth Howell for putting it all together.
We’re very sorry to announce that our ‘Petite Messe Solennelle’ concert has been cancelled, due to the current coronavirus situation.
Our singers have loved learning Rossini’s beautiful work, and we hope to reschedule the concert at a later date.
This concert was to have involved seven freelance musicians, all of whom are facing an uncertain financial future as this, and other concerts are cancelled. We would like to invite those who have bought concert tickets to consider this as a donation, to enable us to make the musicians a reasonable settlement. If, however, you would like a refund, please contact us to make arrangements.
Come and hear BFCS sing Rossini’s lovely Petite Messe Solennelle on Saturday 28th March, at the Ruddock Performing Arts Centre, King Edward’s School.
The Petite Messe Solennelle was written for performance at one of the very popular weekly musical salons held by Rossini and his wife at their Paris home. As such, it was originally scored for a small choir, accompanied by two pianos, with harmonium or accordion. We are looking forward to singing with piano and accordion accompaniment.
Caroline Modiba, soprano, Rachel Gilmore, mezzo soprano,
Joseph Kennedy, baritone, Richard Hansen, tenor.
Kevin Gill, piano, Ben De Souza, accordion
Rossini achieved superstar status early in life, having written over 40 operas by the age of 37. The William Tell Overture is one of the pieces for which he is best known in popular culture today. There followed a period of 25 years of ill health, during which he didn’t compose any new music.
In 1855 Rossini ‘returned to life’ on moving to Paris with his second wife, and their musical salons became internationally famous. These salons included music by many composers, and they inspired Rossini to write over 150 small works for performance by different soloists and ensembles.
The Petite Messe Solennelle was Rossini’s last major work , written in 1863. The opera composer’s beautiful melodies , colour and drama make this one of the most popular works in the choral repertoire. We love singing it, and we’re sure that you will enjoy listening to it!
Our Messiah concert on 16th November was a wonderful occasion for both performers and audience. So many people came to hear the concert that the conductor and performers had to be turned back five times, as people were still arriving and more chairs had to be found! Eventually we were all settled and that wonderful music began…
Handel certainly knew how to write music that is a pleasure to sing! We received many compliments from members of the audience on our diction, phrasing, dynamics and energy. One ordained listener said that the concert was an inspiring spiritual experience for him.
Please click the arrows to see photos from all sections of the choir.
The Musical and Amicable Society were a perfect balance to the choir. They played beautifully and effortlessly.
” The trumpet shall sound”
What did our concert have in common with the royal wedding of Harry and Meghan? David Blackadder, the trumpeter! At the royal wedding he played Handel’s beautiful ‘Eternal Source of Light Divine, with the soprano Elin Manahan Thomas.
He is on the right of this photo, with Matthew Frost.
Our wonderful soloists: James Williams, baritone, Phillipa Thomas, Mezzo, Penelope Appleyard, soprano and Xavier Hetherington, tenor.
The man who brought it all together: our talented Music Director David Wynne. His wardrobe of shoes is a constant source of fascination!
We were delighted with the standing ovation and long applause at the end of the concert . A memorable concert from start to finish!
Many thanks to Alfred White for this wonderful gallery of photographs. Thank you also to Mary Keating for the picture of ‘the shoes’ and one other from her seat in the audience.
We are delighted to to tell you about the top class soloists and baroque orchestra who will be performing ‘Messiah’ with us on 16th November! The concert will take place in the gothic church of St Alban the Martyr, Highgate, Birmingham, known for its beautiful acoustics.
THE BAROQUE ORCHESTRA
The Musical and Amicable Society society last performed with Birmingham Festival Choral Society in Bach’s St John Passion, in 2018. They are a collective of professional period-instrument specialists, performing in combinations ranging from small ensembles to full orchestra all over the country. Their presence will add a touch of Baroque magic to our performance!
Penelope Appleyard , Soprano.
Known for her clear and agile voice, Penelope Appleyard enjoys a busy freelance career as a soloist and ensemble singer, predominantly in the field of early music.
Penelope studied with Christine Cairns and Andrew King at the Royal Birmingham Conservatoire, and in 2019 was awarded Honorary Membership of the Conservatoire for notable success since graduation. She has performed and recorded throughout the UK and internationally.
Xavier Hetherington, Tenor.
After graduating from St John’s College, Cambridge, and a brief period of study in Moscow, Xavier returned to the UK to study privately with Christine Cairns. He won a prestigious scholarshiop to the Royal College of Music, London, where he learns with Russell Smythe.
As a concert soloist Xavier has sung in Cathedrals and churches throughout England and in halls such as St John’s Smith Square and Wigmore Hall. He supported by Opera Prelude and has taken part in Operas in many places including the Royal College of Music, Dartington Festival and in the chorus at Glyndebourne.
Phillipa Thomas, Mezzo.
Phillipa Thomas began her studies at the University of York, where she was awarded the Concerto Prize, before continuing to further success, winning first place in the Birmingham Conservatoire Singing Prize. Since then, she has performed many operatic roles.
On the oratorio platform, Phillipa has been fortunate to work as a soloist with renowned choral societies and orchestras across the UK. Her extensive knowledge of and passion for sacred music has led to frequent performances of works from a variety of periods.
Phillipa has also recorded numerous oratorio solos as part of a project with the professional ensemble Blossom Street Singers. Phillipa is currently working at Oper Köln in their production of Brett Dean’s Hamlet and future projects include a follow-up album to the widely acclaimed Blossom Street recording, This Day.
James Willams, Baritone.
James Williams studied at the Royal Academy of Music, London, during which time he received training from eminent figures, such as Richard Bonynge, Simon Keenlyside and John Shirley-Quirk. Since graduating, he has enjoyed an active performing career throughout the UK, Europe and Asia.
James served as Musical Director for Brent Opera during their productions of Macbeth, Martha, and Nabucco, while having worked as a répétiteur for various London-based opera companies. As a composer, he recently witnessed the premiere of his Mass for St. Helen, as well as his commemorative cycle of war songs for baritone and piano, performed to mark the 100th anniversary of the Armistice.
Saturday 16 November 2019, 7.30pm
Church of St Alban the Martyr, Stanhope St, Birmingham B12 0YF
The concert took place at the Music University in Bucharest. As we arrived for our rehearsal, graduation ceremonies were just coming to an end.
[Where you see dots below the picture, please click the arrows to see the full slide show.]
BFCS singers gathering in the auditorium:
Cor cu Dor sang in the first half of the concert, including an excellent performance of Bohemian Rhapsody and many other songs in English (from memory too!).
The two choirs came together to perform a Romanian folk song. We were glad that Cor cu Dor were able to keep up with the Romanian words at that pace – we couldn’t!
In the second half BFCS performed a programme of folk songs from the British Isles, music by English composers and choral classics. Alexandra Wynne was our soprano soloist, Kevin Gill our accompanist, and David Wynne our music director.
Taking the applause.
One member of the youth choir said “I hope that I can sing as well as you when I am old” (!)
Here’s the last verse of the lovely setting of Irish Blessing by Bob Chilcott, sung as an encore.
Many thanks to our photographers Alfred White and Marilyn Kent, for taking the photographs in such difficult conditions of extreme light and dark. Thanks also to Marilyn and Sandra Smith for the videos. We are grateful to Cor cu Dor for giving permission to use the photographs taken by their photographer Andra Aron.
The friendly Birmingham choir singing the world's best choral music.