Tag Archives: concert

Christmas cheer at Ladywood ARC!

When the title ‘Winter’s Snow’ was chosen for our Carol concert, we could not have foreseen that deep snow would fall on the Midlands the week before! Fortunately, the roads were clear by the time of our Carol concert in Ladywood ARC on 16th December.

Our guests were welcomed by the lovely music of a recorder quartet, played by Margaret, Judy, Barry and Margund.

The choir, in their bright Christmas colours, started the concert with ‘See amid the winter’s snow‘ followed by some well loved traditional carols.  Christmas wouldn’t be Christmas without some John Rutter favourites, and they contrasted with the more complex rhthyms of Sir Christemus (William Mathias) and Ceremonies (written by Patrick Larley for the ‘special birthday’ of one of our sopranos a few years ago). The hauntingly beautiful ‘O magnum mysterium’ by Morten Lauridsen was a highlight for many of the singers and audience.

 

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The Christmas music was broken up by Liz’s  dramatic reading of the humorous  Twelve thank you notes of Christmas (John Julius Norwich), and John Betjeman’s poem Christmas, read by David.

Our guests from the Brain Injury Rehabilitation Trust told us of their valuable work, and we were very pleased to find out later that our concert had raised £960 for the Trust.

 

We were a little surprised to find that an organ solo – Bach’s Wachet auf – had been programmed near the end of the concert, and even more surprised when our Music Director, David Wynne, disappeared – but all was explained when he came back, wearing a very dazzling Christmas suit! The concert ended with many smiling faces in the choir, as ‘the suit’ conducted us in Rutter’s Twelve days of Christmas!

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The evening ended with lots of happy chatter as we shared mulled wine and mince pies with our guests in the audience.

Happy Christmas everyone!

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‘Mozart Requiem’ – 18th November!

We do hope that you will be able to come to hear two beautiful works of choral sacred music at the next  Birmingham Festival Choral Society concert.

Mozart’s much-loved Requiem will be performed by BFCS on 18th November, using Czerny’s beautiful, and rarely-heard, accompaniment for piano (four hands).

Mozart died at only 35 – poignantly, whilst working on his Requiem Mass. The mysterious circumstances around his last days formed the basis of the film ‘Amadeus’. The Requiem is a serene epitaph to a supremely gifted and revered composer.

In contrast, Ralph Vaughan Williams lived until his mid-80s. His Mass in G Minor, the other work in the concert, is notable for being the first Catholic Mass to be written in England since the Reformation. His experiences shortly before, as an ambulance driver in in the first World War, must surely have had some influence on the contemplative style of the piece. The Mass reflects the style of Byrd and other great Elizabethan church composers which was enjoying a revival in the early 20th century. It was first performed as a concert piece in Birmingham in 1922, and was first used as an integral part of the Mass in Westminster Cathedral in 1923.

Click here for tickets to Mozart Requiem.

MOZART REQUIEM

Saturday 18th November 7.30pm

Ladywood ARC, St John’s and St Peter’s Church.
Darnley Rd
Birmingham
West Midlands
B16 8TF

Mozart: Requiem 

Czerny’s four-hand piano accompaniment: Kevin Gill and Stephen Hargreaves.

Vaughan Williams: Mass in G minor

for unaccompanied double choir.

Vaughan Williams: Rhosymedre (organ)

Vaughan Williams: Fantasia on Greensleaves (KG and SH, piano)

Vocal soloists from the Birmingham Conservatoire: Olivia Thornber, Elise Fairley, Jack Dolan and Joseph Clayton

Birmingham Festival Choral Society.

Conductor: David Wynne.

 

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Two cities come together in song.

 

‘Two Cities, One Voice’

The Bramall was packed for our second concert with Liverpool Welsh Choral on Saturday! 400 people in the audience, and 250 on stage were eagerly awaiting our big ‘Carmina’ concert.

In the first half was Leonard Bernstein’s ‘Chichester Psalms’, a work with beautiful melodies and contrasting discordant passages with complex rhythms. 13 year old James Corcoran was our soloist, singing the Hebrew version of ‘The Lord’s my shepherd’. The Mixed Metal Percussion Ensemble then amused us with a clever item ‘Suitcase of Sounds’.

It was a warm night, so people were pleased to spill outside into Chancellor’s Court to enjoy interval drinks and conversation in the evening sun.

 

Carmina Burana was the showpiece in the second half! Three choirs singing the famous ‘O Fortuna’ was a powerful opening to the work!

‘O Fortuna’ sings of the Wheel of Fortune – the ups and downs of life. Our posters had all used the image of a fragment of a medieval fresco in Rochester Cathedral, depicting the Wheel of Fortune. It was most interesting to meet a man in the interval who had come to the concert as a result of seeing one of our posters. This image had attracted his attention immediately, as he had been a pupil at the Cathedral School in Rochester, and looked at that fresco on the wall many, many times!

The programme used the image of a screenprint ‘O Fortuna’, made by one of our former sopranos , Norma Southwick, some years ago.

It was good to sing the whole work, as well as O Fortuna at the beginning and the end. The tenors and basses had a particularly large part to sing in the Taverna section. Sam Oram, our baritone soloist, sang the solos in the drunken scene with great conviction!

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The children’s choir in Carmina Burana, drawn from David and Alexandra Wynne’s junior choirs at St Chad’s Cathedral and the Junior Conservatoire, provided an important contribution, and sang their part with confidence.

Edward Harrisson (tenor) and Loretta Hopkins (soprano) both sang very demanding solos with ease.

Finally, the whole scene, with Kevin Gill and Stephen Hargreaves playing the two pianos, Mixed Metal Percussion Ensemble, the soloists and the three choirs, all under David Wynne’s clear and confident direction. Bravo!

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Birmingham Festival Choral Society and Liverpool Welsh Choral thoroughly enjoyed singing these choral works, and the visits to each others cities has led to warm friendships between the two choirs. It has taken a lot of work for the organisers over two years, but it was definitely worth it! Here’s to the next time!

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Message from the MD of Liverpool Welsh Choral, Keith Orrell

Well done everyone last night. Two great concerts and many happy friendships and musical highs. All the best BFCS.

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Carmina – this Saturday!

Following our very successful concert in Liverpool’s Philharmonic Hall, we’re really looking forward to singing again with Liverpool Welsh Choral on Saturday (17th June). The Liverpool singers will join us on the stage of the Elgar Concert Hall, Bramall Music building, to sing Carmina Burana and the Chichester Psalms once again.

The Lord Mayor of Birmingham and her consort will be there – we hope you will be too!

Click here for ‘Carmina’ tickets.

We will also be joined by young singers from David’s Wynne’s Junior Choirs at St Chad’s and the Birmingham Conservatoire.

The soloists will be Loretta Hopkins, Samuel Oram and Edward Harrison.

 

Simplified Carmina

 

Two Cities, One Voice.

After two years of planning, our collaboration with Liverpool Welsh Choral is finally coming together! LWC’s Music Director, Keith Orrell, came to Birmingham last Wednesday to take our rehearsal, and this weekend 86 BFCS singers will travel to Liverpool for the first of our two joint Carmina Burana concerts.

We are all looking forward to meeting the Liverpool singers for a rehearsal on Saturday, followed by a Hog Roast and Quiz. At 2.30pm, following a Sunday morning rehearsal, the choir of 200 will sing Carmina Burana and the Chichester Psalms in Liverpool’s Philharmonic Hall. What an occasion!

Information about the return concert in Birmingham on Saturday 17th June can be  found elsewhere on this Website. We hope that you will be able to join us in Liverpool or Birmingham for this exciting programme!

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‘Nocturne’- a highly successful debut for our new MD.

It was a great concert on Saturday, attended by Birmingham’s Lord Mayor and Lady Mayoress. A full audience heard beautiful Chopin Nocturnes played on the piano by Kevin Gill, and many lovely choral items fitting in with the theme of night. It was a challenging and full repertoire, prepared and directed by our talented new music director, David Wynne.

Open up these links to see the pictures and comments.

'Music evoked by the beauty of night'. David Wynne's first concert as our Music Director.

Posted by Birmingham Festival Choral Society on Thursday, April 6, 2017

Our ‘Nocturne’ concert is nearly here.

NOCTURNE

A selection of choral gems, familiar and unfamiliar, with a “nocturnal” theme, interspersed with popular piano music by Chopin, feature in the concert by Birmingham Festival Choral Society on April 1st.

Among the best-known of these fine vocal works are John Tavener’s “Song to Athene”, which rose to fame in 1997 when performed at the funeral of Diana, Princess of Wales; a setting of the “Londonderry Air” by Bob Chilcott; and “Water Night” by the prolific American choral composer Eric Whitacre.

BFCS patron John Joubert, who celebrates his 90th birthday this March, and whose latest opera Jane Eyre received its premier performance last autumn, is represented by two part-songs, “There is no rose of such virtue” and “O Lorde, the maker of al thing”, the words of the latter being attributed to King Henry VIII.

Part songs by three British composers from an earlier era – Robert Lucas Pearsall, Hubert Parry and Edward Elgar – will also be heard, including Parry’s moving “Songs of Farewell”, well-known in the choral repertoire. Brahms’ sacred song “Geistliches Lied” and his secular “Vier Quartette”, together with Faure’s popular “Cantique de Jean Racine” also feature in the programme.

Many of these items will be performed a capella; for the remaining numbers the choir will be joined by regular accompanist Kevin Gill, who also provides an interlude with three of Chopin’s famous Nocturnes.

The concert marks a departure from the more typical repertoire of large-scale works, such as oratorios and masses, by the Society, which has been in existence since the 1840s. (Their next concert in June includes two hugely popular 20th Century works: Leonard Bernstein’s Chichester Psalms and Carl Orff’s “Carmina Burana”.)

More importantly, it introduces the Society’s newly appointed Music Director, David Wynne, a graduate of the Birmingham Conservatoire who has been active in teaching and conducting with both adult and junior choirs in the West Midlands and beyond.

David Wynne, Music Director, Birmingham Festival Choral Society

The concert by Birmingham Festival Choral Society will take place on Saturday April 1st, commencing at 7.30pm, in the fine setting of St John’s and St Peter’s Church (Ladywood ARC), Darnley Road, Birmingham B16 8TF. Tickets (£14, students/under 16s £7) are available on the door before the concert, or beforehand from Ticket Source.

Tom Dance

Post script:  David Wynne and Tim Davis have been offered a slot on Radio WMs ‘Sunny & Shay’ programme between 3.30 and 4pm on Monday 20th March! They will be talking about David’s appointment as BFCS Music Director and the forthcoming concert.

Click here to join our Facebook event for the Nocturne concert.

Nocturne

NOCTURNE

Our concert on 1st April contains a wide variety of popular choral music, in keeping with our ‘Nocturne’ theme. This will be the first BFCS concert conducted by our new Music Director, David Wynne! We hope that you will be able to share it with us.

Frederic Chopin           Three Nocturnes (Kevin Gill, piano)

Charles H.H.Parry        Songs of Farewell   (unaccompanied)

  1. My soul there is a country
  2. I know my soul hath power
  3. Never weather-beaten sail
  4. There is an old belief

Joubert                        O Lord the Maker of all Thing 

Joubert                        There is no Rose 

Robert Pearsall            Lay a garland 

Brahms                          Geistliches Lied (5’)

 Edward Elgar               

  1. My love dwelt in a northern land
  2. As torrents in summer

 

Brahms                         O schöne Nacht, Vier quartette Op92, 1 – 4.

Eric Whitacre              Water Night

 Tavener                        Song for Athene

 Faure                             Cantique de Jean Racine 

 Chilcott                        Londonderry Air 

 

Click here for tickets

 

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‘In Paradisum’ – pictures of a great evening.

Many thanks to Alfred Whhite for these pictures of our concert last Saturday. The beautiful music by Fauré, Duruflé and Dattas was enjoyed by both the choir and the capacity audience.

One member of the audience sent the following message to our Birmingham Festival Choral Society Facebook page:

Thank you for a lovely evening of music. The Faure pieces were sublime!

A full church to hear ‘A Taste of Vienna’.

St George’s was full when Birmingham Festival Choral Society gave their last Birmingham concert with Patrick Larley as Music Director. It was extra special to perform Mozart’s beautiful ‘Ave Verum corpus’, and we all enjoyed singing the Masses by Schubert and Mozart. The sopranos and altos also sang Schubert’s ‘The Lord is my Shepherd’, which was a special treat.

We were delighted to welcome back our Conservatoire soloists, Elouise Waterhouse, Robert Tilson and Alistair Donague for a third concert with us. Sarah Ann Cromwell first sang with us ten years ago, when she was a Conservatoire student. Her singing of Mozart’s Exsultate Jubilate was one of the highlights of yesterday’s concert!

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Rehearsal for ‘A Taste of Vienna’