Category Archives: concert

St John Passion on the eve of Holy Week.

An audience of 200 people came to St Augustine’s. Edgbaston on Saturday to hear Birmingham Festival Choral Society sing Bach’s St John Passion. They were held spellbound by the story of the events of Holy week told in recitative form by the Evangelist (Andrew King) and Jesus (Andrew Tipple). The story was interspersed with exciting choruses and reflective chorales from the choir. Emilia Morton, Matthew Venner, Robert Jenkins and Richard Patterson each sang beautiful arias reflecting on the vents of the story.

The Musical and Amicable Society provided the accompaniment at Baroque pitch on period instruments, some familiar and some unfamiliar to 21st century eyes.

St Augustine’s church seemed a very appropriate setting for such moving sacred music, the covering of all church decoration for Passiontide adding to the atmosphere.

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Here is some of the audience feedback from Social Media:

This stunning church (our first visit) provided just the right kind of backdrop for this awesome performance. It was all such a moving and memorable experience. Thank you and congratulations to all those involved.

Thoroughly enjoyed it! Well done!

We were there and thought it was amazing. St Augustine’s church was a beautiful venue for this incredibly moving performance.

What a wonderful, moving evening. A long journey for us and worth every moment.

Watching Andrew was beautiful – so sensitive and really illuminated the story. The choir were beautifully balanced in sound!

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Thank you to Alfred White for these lovely photographs of the concert, and to St Augustine’s for the cover photo.

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West window, St Augustine’s Church Edgbaston. (Photo by Christine Wright)

 

Bach’s St John Passion, with specialist early music performers.

BACH: ST JOHN PASSION. Saturday 24th March 7.30pm. St Augustine’s Church, Edgbaston, Birmingham B16 9JN

On 24th March Birmingham Festival Choral Society will be singing with some very talented and highly regarded instrumentalists and vocal soloists who specialise in early music. We hope that you will be able to share this special occasion with us.

The Musical and Amicable Society Baroque Orchestra

The original Musical and Amicable Society was founded in 1762 by James Kempson, who directed the choir at St Bartholomew’s Chapel, Birmingham. Together with fellow musicians from St Philip’s Church (now Birmingham Cathedral), Kempson and his singers gathered on a regular basis at Cooke’s tavern in the Cherry Orchard “for practice and recreation”. In 2003, Kate Fawcett and Martin Perkins decided to revive this historic society as a collective of professional period-instrument specialists. Their presiding ethos is one of chamber music – however large or small the formation – where each and every performer has a significant role to play. Individually, their members maintain successful freelance careers with some of Europe’s most prestigious period-instrument ensembles.

Andrew King photo Mike Cotter 2018

Andrew King – Evangelist

Andrew King is known mostly as a singer specialising in Renaissance and Baroque music. In his early career he sang with The Tallis Scholars, BBC Singers and as a founder member of The Sixteen. Apart from his solo appearances in oratorio and baroque operas he has always enjoyed small ensemble work. As Evangelist in the Bach St. John and St. Matthew Passions he has performed in many concerts at home and abroad.

Andrew teaches at the Royal Birmingham Conservatoire and also at the University of Birmingham

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Andrew Tipple – Christus

Andrew has appeared in many operatic performances. He also regularly appears in concert, singing a large variety of repertoire including Bach’s St John Passion at Arundel Cathedral.

091 Emilia Morton

Emilia Morton Soprano

As a member of The Sixteen Emilia has made a number of recordings and performed concerts around the world. She is also a member of Tenebrae, with whom she has made many recordings and performed solos in Bach’s Mass in B minor.

Matthew Venner

Matthew Venner Alto

Matthew is a member of the internationally renowned Orlando Consort, an ensemble specialising in medieval and early renaissance music. He has performed with many of today’s leading vocal ensembles including The Cardinall’s Musick, The King’s Consort, The Monteverdi Choir, The Sixteen and The Tallis Scholars.

Matthew has become increasingly in demand as a soloist, and has sung on many recordings.

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Robert Jenkins – Tenor

Robert completed his Bachelor in Music (Honours) degree at Birmingham Conservatoire in 2012, studying under Professor Julian Pike. During his time in Birmingham, Robert was Tenor Lay Clark at Birmingham Cathedral. Robert now follows a freelance career and sings with many professional ensembles, including the BBC Singers, Ex-Cathedra, Polyphony, Philharmonia Voices and Siglo de Oro.

Richard Paterson headshot

Richard Paterson – Bass

Richard Paterson studied with Julian Pike and Gordon Sandison at the Birmingham Conservatoire, where he sang as part of the Conservatoire Chamber Choir, under the direction of Paul Spicer. Richard sang for the Reinterment of King Richard III in Leicester Cathedral in 2015 before taking up a position later that year as Bass Lay Vicar at Chichester Cathedral, where he sings for regular services and concerts.

Final Bach flyer (5)

J S Bach: St John Passion

BACH: ST JOHN PASSION

During the holy season of Lent it is hard to imagine a spiritually more uplifting experience than listening to, or performing, one of the magnificent settings by J.S. Bach of the Passion of Jesus Christ.

One of the greatest choral works of all time, the St John Passion has been described as a deeply human, intensely dramatic telling of Christ’s betrayal, suffering and death set to music of heartbreaking beauty. It was first heard in St Thomas’s Church, Leipzig, in 1724 as one of the Good Friday liturgies; how fitting, therefore, that a performance by one of the Midlands’ premier choirs, the Birmingham Festival Choral Society, will be held on the eve of Holy Week, Saturday March 24th.

The choir’s Music Director David Wynne regards Bach’s St John Passion as “a remarkable work, combining large-scale chorus movements, congregational chorales and solo movements. It was written three years before the same composer’s St Matthew Passion and, being on a smaller scale, is often considered more intimate.”

Adding to the authenticity of the performance will be the participating orchestra, “The Musical & Amicable Society”, a renowned baroque ensemble, together with a team of distinguished international soloists led by Andrew King (The Evangelist). Moreover, for many who prefer sacred works to be heard in an ecclesiastical setting rather a concert hall, the Passion will be held in the one of the city’s most beautiful churches, St Augustine’s, Edgbaston.

The Birmingham Festival Choral Society’s performance of Bach’s St John Passion at St Augustine’s Church, Lyttleton Road, Birmingham B16 9NJ will take place on Saturday March 24th at 7.30pm.

Click here for tickets to Bach’s St John Passion

Final Bach flyer (5)

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St Augustine’s Church, Edgbaston B16 9JN

Bach at the Sesquicentenary Festival

The singers of Birmingham Festival Choral Society are looking forward to singing Bach’s St John Passion at the Sesquicentenary celebrations of the church of St Augustine of Hippo, Edgbaston. Apparently , this is the name for 150 years – which means that the church opened just 22 years after our choir’s first performance, in the Birmingham Triennial Festival.

The church has a notable choral tradition, and was the first Anglican church in Birmingham to have a surpliced choir. The composer Herbert Howells wrote his ‘St Augustine’s Service’ for the choir in 1967. The church sits in the middle of the beautiful St Augustine’s conservation area.

We hope that you’ll be able to join us for our concert here on 24th March. Click here for further details of the concert Bach: St John Passion

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Carol Festival at the Cube. 

Intrepid singers from Birmingham Festival Choral Society braved the snow and ice on Tuesday to sing carols at the Cube, the distinctive Birmingham landmark containing offices, shops, apartments and restaurants. The ‘Carol Festival’ was to raise money for the Birmingham Children’s Hospital, the Cube’s chosen charity.

The atrium of the Cube is open to the elements and if you’re wondering whether it was cold, take a look at our two Music Directors for the evening, Alexandra and David Wynne!

The atrium looked very pretty though, with the huge Christmas tree.

BFCS started the evening with a selection of Christmas music, then we were followed by the children of the St Chad’s Children’s choir, led by both David and Alexandra. Finally, we heard from two of Alexandra’s workplace choirs made up of singers from firms based in the Cube.

We hope that all those workers, shoppers and diners passing through the Cube enjoyed the Christmas music, and dropped a generous donation in the collecting buckets for the Birmingham Children’s Hospital. Birmingham Festival Choral Society was pleased to support such a worthwhile cause.

Happy Christmas!

Christmas Carol Concert.

WINTER’S SNOW

Birmingham Festival Choral Society presents our ever popular Christmas charity concert!

Come and share Christmas music and carols, followed by festive refreshments.

A collection will be taken for the Brain Injury Rehabilitation Trust.

Saturday 16th December 6pm

St John’s and St Peter’s Church, Ladywood ARC, Darnley Road, Birmingham, B16 8TF

Birmingham Festival Choral Society.

Conductor: David Wynne.

Organist: Kevin Gill

 

Tickets £10 (under 18s free).  Click here for tickets.

 

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‘Mozart Requiem’ – 18th November!

We do hope that you will be able to come to hear two beautiful works of choral sacred music at the next  Birmingham Festival Choral Society concert.

Mozart’s much-loved Requiem will be performed by BFCS on 18th November, using Czerny’s beautiful, and rarely-heard, accompaniment for piano (four hands).

Mozart died at only 35 – poignantly, whilst working on his Requiem Mass. The mysterious circumstances around his last days formed the basis of the film ‘Amadeus’. The Requiem is a serene epitaph to a supremely gifted and revered composer.

In contrast, Ralph Vaughan Williams lived until his mid-80s. His Mass in G Minor, the other work in the concert, is notable for being the first Catholic Mass to be written in England since the Reformation. His experiences shortly before, as an ambulance driver in in the first World War, must surely have had some influence on the contemplative style of the piece. The Mass reflects the style of Byrd and other great Elizabethan church composers which was enjoying a revival in the early 20th century. It was first performed as a concert piece in Birmingham in 1922, and was first used as an integral part of the Mass in Westminster Cathedral in 1923.

Click here for tickets to Mozart Requiem.

MOZART REQUIEM

Saturday 18th November 7.30pm

Ladywood ARC, St John’s and St Peter’s Church.
Darnley Rd
Birmingham
West Midlands
B16 8TF

Mozart: Requiem 

Czerny’s four-hand piano accompaniment: Kevin Gill and Stephen Hargreaves.

Vaughan Williams: Mass in G minor

for unaccompanied double choir.

Vaughan Williams: Rhosymedre (organ)

Vaughan Williams: Fantasia on Greensleaves (KG and SH, piano)

Vocal soloists from the Birmingham Conservatoire: Olivia Thornber, Elise Fairley, Jack Dolan and Joseph Clayton

Birmingham Festival Choral Society.

Conductor: David Wynne.

 

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Carmina! How did it sound?

From the Birmingham Post, 22nd June 2017:

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Reviews sent to our website , from members of the audience.

Superb! I’m not musically trained but I’ve been listening to 
classical music for decades 
& have heard a number of recordings of the Orff. 
A live performance is audibly preferable – even if the production 
is less to one’s taste. 
THIS was so strikingly superior and “live” to any recording I’ve 
ever heard – plus we could 
see how the less featured instruments actually perform. 

The joint choir, the juniors and the soloists were powerful, 
subtle and convincing. 
We thought it an excellent experience for the young singers to be 
there in the midst of the 
whole performance – and weren’t they mature throughout! 

The Bernstein was entirely new to us, again, convincing in its 
linguistic variety and engrossing. 

As to what can be released from a Pandora’s suitcase! And how 
they acted their parts in it! 
An astounding evening we would not have missed. 

*****

A wonderful Saturday evening at the Bramall.
A warm (very) summer’s evening, a perfect setting in the University, an audience bursting with anticipation—-and amazing performances by everyone.
The sound was quite literally stupendous—it amazed and dazzled and overwhelmed….
Everyone involved must be—and quite rightly—very proud….

*****

A brief note to say how much we enjoyed the concert on Saturday. 

The Chichester Psalms were new to us and a little challenging. The percussion was excellent and superb entertainment. Carmina Burana was magnificent. Congratulations to all who took part.

The looks on the childrens’ faces at the percussionists’ faces was almost worth the ticket price alone. 
We frequently attend your concerts – travelling from Nuneaton.
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Two cities come together in song.

 

‘Two Cities, One Voice’

The Bramall was packed for our second concert with Liverpool Welsh Choral on Saturday! 400 people in the audience, and 250 on stage were eagerly awaiting our big ‘Carmina’ concert.

In the first half was Leonard Bernstein’s ‘Chichester Psalms’, a work with beautiful melodies and contrasting discordant passages with complex rhythms. 13 year old James Corcoran was our soloist, singing the Hebrew version of ‘The Lord’s my shepherd’. The Mixed Metal Percussion Ensemble then amused us with a clever item ‘Suitcase of Sounds’.

It was a warm night, so people were pleased to spill outside into Chancellor’s Court to enjoy interval drinks and conversation in the evening sun.

 

Carmina Burana was the showpiece in the second half! Three choirs singing the famous ‘O Fortuna’ was a powerful opening to the work!

‘O Fortuna’ sings of the Wheel of Fortune – the ups and downs of life. Our posters had all used the image of a fragment of a medieval fresco in Rochester Cathedral, depicting the Wheel of Fortune. It was most interesting to meet a man in the interval who had come to the concert as a result of seeing one of our posters. This image had attracted his attention immediately, as he had been a pupil at the Cathedral School in Rochester, and looked at that fresco on the wall many, many times!

The programme used the image of a screenprint ‘O Fortuna’, made by one of our former sopranos , Norma Southwick, some years ago.

It was good to sing the whole work, as well as O Fortuna at the beginning and the end. The tenors and basses had a particularly large part to sing in the Taverna section. Sam Oram, our baritone soloist, sang the solos in the drunken scene with great conviction!

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The children’s choir in Carmina Burana, drawn from David and Alexandra Wynne’s junior choirs at St Chad’s Cathedral and the Junior Conservatoire, provided an important contribution, and sang their part with confidence.

Edward Harrisson (tenor) and Loretta Hopkins (soprano) both sang very demanding solos with ease.

Finally, the whole scene, with Kevin Gill and Stephen Hargreaves playing the two pianos, Mixed Metal Percussion Ensemble, the soloists and the three choirs, all under David Wynne’s clear and confident direction. Bravo!

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Birmingham Festival Choral Society and Liverpool Welsh Choral thoroughly enjoyed singing these choral works, and the visits to each others cities has led to warm friendships between the two choirs. It has taken a lot of work for the organisers over two years, but it was definitely worth it! Here’s to the next time!

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Message from the MD of Liverpool Welsh Choral, Keith Orrell

Well done everyone last night. Two great concerts and many happy friendships and musical highs. All the best BFCS.

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Carmina – this Saturday!

Following our very successful concert in Liverpool’s Philharmonic Hall, we’re really looking forward to singing again with Liverpool Welsh Choral on Saturday (17th June). The Liverpool singers will join us on the stage of the Elgar Concert Hall, Bramall Music building, to sing Carmina Burana and the Chichester Psalms once again.

The Lord Mayor of Birmingham and her consort will be there – we hope you will be too!

Click here for ‘Carmina’ tickets.

We will also be joined by young singers from David’s Wynne’s Junior Choirs at St Chad’s and the Birmingham Conservatoire.

The soloists will be Loretta Hopkins, Samuel Oram and Edward Harrison.

 

Simplified Carmina