Category Archives: concert

Grant Us Peace!

Read Birmingham Music Library’s  new blog about our ‘Grant us Peace’ concert, a singer’s experience of singing the music, and some fascinating background information.

In Concert

Once again, we hand over the blog to another musical organisation. This time it’s Birmingham Festival Choral Society and their contribution to the Armistice commemorations. We met members of BFCS in an earlier post which talked about a weekend away rehearsing. As this post goes out, it falls between two concerts which BFCS and Nottinghamshire-based Ryton Chorale are presenting together on the theme of war and peace. The two works are Howard Goodall’s Eternal Light, and Ralph Vaughan William’s Dona Nobis Pacem.

Poppies in Flanders Poppies flowering in Flanders

I know the VW well, having played in two performances, but I don’t know the Goodall. Both composers take ancient Latin texts from the church liturgy and add new words. In VW’s case, more poetry from his beloved Walt Whitman, and the Old Testament; and from various sources for Goodall’s work.

Here’s a piece from one of BFCS’ singers about her experience…

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‘Grant us Peace’. Reflections on war and peace.

The ‘Grant us Peace’ at St George’s Church, Edgbaston, on Saturday November 17 at 7.30pm brings together two choral societies who share David Wynne as their Music Director: Birmingham Festival Choral Society (BFCS) and Ryton Chorale in Worksop.

Pieces chosen give much food for thought about the tragedy of the lives lost and the effect on those left behind. Music includes Ralph Vaughan Williams’ 1936 cantata Dona Nobis Pacem, and Howard Goodall’s Requiem Mass, Eternal Light, first performed on the 90th anniversary of the Armistice in 2008.

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Dona Nobis Pacem meaning Grant Us Peace was written in the vanguard of the Second Word War by a composer deeply affected by his earlier experience as a stretcher bearer in the Great War.

The cantata opens with a prayer from the Catholic requiem mass, which gives the work its title, and also quotes liturgical and scriptural texts along with secular poems; notably by the 19th Century American poet Walt Whitman, who himself had served as a medic during the Civil War.

In comparison, composer Howard Goodall was known in his early career for his film and television themes. But his piece Eternal Light: A Requiem aims for a mood of solace for the grieving. He even described his work as being “a requiem for the living, addressing their suffering and endurance…focussing on the consequences of interrupted lives”. The work ends with Cardinal Newman’s poem “Lead Kindly Light”.

The concert on November 17 features soloists, who are all current or recent award-winning students from the Royal Birmingham Conservatoire. These include Holly Teague (Soprano), Miles Taylor (Baritone), Vera Khait (Harp), Kevin Gill (Piano) and Darren Hogg (Organ).

Tickets can be bought in advance here or on the door and cost £14 adults (£7 under 16, students, and escorts for disabled people)

The full Grant Us Peace concert programme is:

Saturday 17 November 2018, 7.30pm

St George’s Church, Edgbaston, Birmingham, B15 3DQ

Howard Goodall, Eternal Light

Vaughan Williams, Dona Nobis Pacem

Birmingham Festival Choral Society and Ryton Chorale.

Holly Teague, Soprano

Miles Taylor, Baritone

Kevin Gill Darren Hogg, Piano and organ.

Vera Khait, harp

Conductor: David Wynne

From concert entry in ‘Weekend Notes’ by Alison Brinkworth, taken from press release by Tom Dance (BFCS Bass singer). Link to original article here.

 

 

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Introducing the team for our November concerts.

The singers of Birmingham Festival Choral Society are  looking forward to joining with Ryton Chorale, David Wynne’s other choir, for two performances of ‘Grant us Peace’:

Saturday 10th November 7.30pm
Crossing Church and Centre, Newcastle Street,
Worksop S80 2AT

Saturday 17th November 7.30pm
St George’s Church, Edgbaston,
Birmingham, B15 3DQ.

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The vocal soloists for both concerts will be Holly Teague, soprano, and Miles Taylor, baritone.

Originally a violinist, Holly’s love of literature and theatre led her to study singing at the Royal Birmingham Conservatoire and Conservatoire de Paris. Holly appears regularly as soloist for choral societies, enjoys singing in opera productions, and looks forward to teaching singing again at MAC in 2019.

Miles has much experience of singing in opera, oratorios and competitions in Yorkshire. He is now studying for a Master’s Degree at the Royal Birmingham Conservatoire.

 

As an extra treat, we will have a harp accompaniment in Howard Goodall’s ‘Eternal Light’, played by Vera Khait.

Vera grew up in Russia, and came to study at the Birmingham Conservatoire in 2008. She now preforms regularly in classical music concerts, and has also worked in TV music with Sky Arts and Channel 4.

Vera Khait

 

We have a quartet of accomplished keyboard players to accompany the choirs in the two concerts.

For the Worksop concert on 10th November, Rupert Jeffcoat will play organ for both works, and Mitchell Holland will play the piano in ‘Eternal Light’. When not playing, Mitch will be singing in the tenor section of BFCS!

In Birmingham on the 17th November,  BFCS accompanist Kevin Gill will play the piano part in the Goodall and Darren Hogg will play the organ in both works.

 

 

Finally – the chorus will be formed from the singers of Ryton Chorale and the Birmingham Festival Choral Society , under the baton of maestro David Wynne! This is the first time that David’s choral societies have come together , and we look forward very much to singing together in the home towns of the two societies.

David Wynne, conductor.
David Wynne, conductor.

 

Ryton Chorale
Ryton Chorale

 

Birmingham Festival Choral Society.
Birmingham Festival Choral Society

Grant us Peace

This term Birmingham Festival Choral Society will be preparing thought-provoking works by Vaughan Williams and Howard Goodall to mark 100 years since the ending of the first World War. We will join with Ryton Chorale, David Wynne’s other choral society, for two concerts in November.

The theme of the concert is ‘Grant us Peace’.

Vaughan Williams produced his plea for peace, ‘Dona Nobis pacem’ at a time when there were fears of a second World War, so shortly after the first. His texts were taken from the Mass, the Bible, a political speech and three poems by Walt Whitman. The phrase Dona nobis pacem (“Give us peace”), in different settings, punctuates the entire piece.

‘Eternal Light’ by Howard Goodall uses phrases from the Latin Requiem in each movement, beside words from English poetry from across the last 500 years, in an attempt to provide some solace for the living who mourn those lost as a result of war.

GRANT US PEACE.

Reflective music to mark the ending of the First World War.

Saturday 10 November 2018, 7.30pm

Crossing Church and Centre, Newcastle Street, Worksop S80 2AT

Saturday 17 November 2018, 7.30pm

St George’s Church, Edgbaston, Birmingham, B15 3DQ

Howard Goodall, Eternal Light

Vaughan Williams, Dona Nobis Pacem

Birmingham Festival Choral Society and Ryton Chorale.

Holly Teague, Soprano

Miles Taylor, Baritone

Kevin Gill Darren Hogg and Mitch Holland, Piano and organ.

Vera Khait, harp

Conductor: David Wynne

Poster image: Chris Fletcher.

Shakespeare and the Latin Mass – jazz style.

A full hall for 'Choral Jazz and Blues' (Photo by David Jones)

Trefoil House was full for our ‘Choral Jazz and Blues’ concert on a hot night in July. Our guests relaxed at tables, sipping their drinks and eating their snacks as they listened to a style of choral music that was very different to the usual BFCS repertoire.

It was a treat for the singers to be accompanied by such skilful Jazz musicians. Chris Corcoran on piano, Dave Wilkes on drums and Mike Green on upright bass gave us a rhythmic accompaniment that really boosted our singing!

Photo by David Jones.BFCS accompanied by the Jazz trio Photo by David Jones)

The first half of the programme consisted of George Shearing’s ‘Songs and Sonnets from Shakespeare’, and the ‘Birthday Madrigals’ that John Rutter wrote for Shearing’s 75th birthday. Both works fuse traditional choral music with American Jazz influences. The Jazz Trio then entertained us, while people refilled their glasses or stepped outside to cool down.

The highlight of the evening came after the interval. ‘Mass in Blue’, Will Todd’s popular setting of the Latin Mass, combines his background in sacred choral music with his love of jazz. Although the style had seemed unfamiliar at the beginning of term, the BFCS singers had soon come to love the beauty of the Kyrie and Sanctus, the fun of the Benedictus, and the excitement of the Credo and Agnus Dei! Our soprano soloist Hannah Davey was just awesome, effortlessly moving between the loudest sections, with top Cs, and the spine-tingling beauty of the ‘Et incarnatus est’.

Hannah Davey 2

What a lovely surprise to find out that the concert had been recorded from the audience! Thank you to Alex Botten for sending this to us:

This concert was very popular with both singers and audience, and we hope to explore some other choral jazz works in the future. Watch this space!

 

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Many thanks to David Jones and Mandy Hart for taking these pictures from the audience.

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St John Passion on the eve of Holy Week.

An audience of 200 people came to St Augustine’s. Edgbaston on Saturday to hear Birmingham Festival Choral Society sing Bach’s St John Passion. They were held spellbound by the story of the events of Holy week told in recitative form by the Evangelist (Andrew King) and Jesus (Andrew Tipple). The story was interspersed with exciting choruses and reflective chorales from the choir. Emilia Morton, Matthew Venner, Robert Jenkins and Richard Patterson each sang beautiful arias reflecting on the vents of the story.

The Musical and Amicable Society provided the accompaniment at Baroque pitch on period instruments, some familiar and some unfamiliar to 21st century eyes.

St Augustine’s church seemed a very appropriate setting for such moving sacred music, the covering of all church decoration for Passiontide adding to the atmosphere.

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Here is some of the audience feedback from Social Media:

This stunning church (our first visit) provided just the right kind of backdrop for this awesome performance. It was all such a moving and memorable experience. Thank you and congratulations to all those involved.

Thoroughly enjoyed it! Well done!

We were there and thought it was amazing. St Augustine’s church was a beautiful venue for this incredibly moving performance.

What a wonderful, moving evening. A long journey for us and worth every moment.

Watching Andrew was beautiful – so sensitive and really illuminated the story. The choir were beautifully balanced in sound!

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Thank you to Alfred White for these lovely photographs of the concert, and to St Augustine’s for the cover photo.

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West window, St Augustine’s Church Edgbaston. (Photo by Christine Wright)

 

Bach’s St John Passion, with specialist early music performers.

BACH: ST JOHN PASSION. Saturday 24th March 7.30pm. St Augustine’s Church, Edgbaston, Birmingham B16 9JN

On 24th March Birmingham Festival Choral Society will be singing with some very talented and highly regarded instrumentalists and vocal soloists who specialise in early music. We hope that you will be able to share this special occasion with us.

The Musical and Amicable Society Baroque Orchestra

The original Musical and Amicable Society was founded in 1762 by James Kempson, who directed the choir at St Bartholomew’s Chapel, Birmingham. Together with fellow musicians from St Philip’s Church (now Birmingham Cathedral), Kempson and his singers gathered on a regular basis at Cooke’s tavern in the Cherry Orchard “for practice and recreation”. In 2003, Kate Fawcett and Martin Perkins decided to revive this historic society as a collective of professional period-instrument specialists. Their presiding ethos is one of chamber music – however large or small the formation – where each and every performer has a significant role to play. Individually, their members maintain successful freelance careers with some of Europe’s most prestigious period-instrument ensembles.

Andrew King photo Mike Cotter 2018

Andrew King – Evangelist

Andrew King is known mostly as a singer specialising in Renaissance and Baroque music. In his early career he sang with The Tallis Scholars, BBC Singers and as a founder member of The Sixteen. Apart from his solo appearances in oratorio and baroque operas he has always enjoyed small ensemble work. As Evangelist in the Bach St. John and St. Matthew Passions he has performed in many concerts at home and abroad.

Andrew teaches at the Royal Birmingham Conservatoire and also at the University of Birmingham

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Andrew Tipple – Christus

Andrew has appeared in many operatic performances. He also regularly appears in concert, singing a large variety of repertoire including Bach’s St John Passion at Arundel Cathedral.

091 Emilia Morton

Emilia Morton Soprano

As a member of The Sixteen Emilia has made a number of recordings and performed concerts around the world. She is also a member of Tenebrae, with whom she has made many recordings and performed solos in Bach’s Mass in B minor.

Matthew Venner

Matthew Venner Alto

Matthew is a member of the internationally renowned Orlando Consort, an ensemble specialising in medieval and early renaissance music. He has performed with many of today’s leading vocal ensembles including The Cardinall’s Musick, The King’s Consort, The Monteverdi Choir, The Sixteen and The Tallis Scholars.

Matthew has become increasingly in demand as a soloist, and has sung on many recordings.

Rob Jenkins-8

Robert Jenkins – Tenor

Robert completed his Bachelor in Music (Honours) degree at Birmingham Conservatoire in 2012, studying under Professor Julian Pike. During his time in Birmingham, Robert was Tenor Lay Clark at Birmingham Cathedral. Robert now follows a freelance career and sings with many professional ensembles, including the BBC Singers, Ex-Cathedra, Polyphony, Philharmonia Voices and Siglo de Oro.

 

Richard Paterson headshot

Richard Paterson – Bass

Richard Paterson studied with Julian Pike and Gordon Sandison at the Birmingham Conservatoire, where he sang as part of the Conservatoire Chamber Choir, under the direction of Paul Spicer. Richard sang for the Reinterment of King Richard III in Leicester Cathedral in 2015 before taking up a position later that year as Bass Lay Vicar at Chichester Cathedral, where he sings for regular services and concerts.

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J S Bach: St John Passion

BACH: ST JOHN PASSION

During the holy season of Lent it is hard to imagine a spiritually more uplifting experience than listening to, or performing, one of the magnificent settings by J.S. Bach of the Passion of Jesus Christ.

One of the greatest choral works of all time, the St John Passion has been described as a deeply human, intensely dramatic telling of Christ’s betrayal, suffering and death set to music of heartbreaking beauty. It was first heard in St Thomas’s Church, Leipzig, in 1724 as one of the Good Friday liturgies; how fitting, therefore, that a performance by one of the Midlands’ premier choirs, the Birmingham Festival Choral Society, will be held on the eve of Holy Week, Saturday March 24th.

The choir’s Music Director David Wynne regards Bach’s St John Passion as “a remarkable work, combining large-scale chorus movements, congregational chorales and solo movements. It was written three years before the same composer’s St Matthew Passion and, being on a smaller scale, is often considered more intimate.”

Adding to the authenticity of the performance will be the participating orchestra, “The Musical & Amicable Society”, a renowned baroque ensemble, together with a team of distinguished international soloists led by Andrew King (The Evangelist). Moreover, for many who prefer sacred works to be heard in an ecclesiastical setting rather a concert hall, the Passion will be held in the one of the city’s most beautiful churches, St Augustine’s, Edgbaston.

The Birmingham Festival Choral Society’s performance of Bach’s St John Passion at St Augustine’s Church, Lyttleton Road, Birmingham B16 9NJ will take place on Saturday March 24th at 7.30pm.

Click here for tickets to Bach’s St John Passion

Final Bach flyer (5)

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St Augustine’s Church, Edgbaston B16 9JN

Bach at the Sesquicentenary Festival

The singers of Birmingham Festival Choral Society are looking forward to singing Bach’s St John Passion at the Sesquicentenary celebrations of the church of St Augustine of Hippo, Edgbaston. Apparently , this is the name for 150 years – which means that the church opened just 22 years after our choir’s first performance, in the Birmingham Triennial Festival.

The church has a notable choral tradition, and was the first Anglican church in Birmingham to have a surpliced choir. The composer Herbert Howells wrote his ‘St Augustine’s Service’ for the choir in 1967. The church sits in the middle of the beautiful St Augustine’s conservation area.

We hope that you’ll be able to join us for our concert here on 24th March. Click here for further details of the concert Bach: St John Passion

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St Augustine's Edgbaston-5251

 

 

 

 

 

Carol Festival at the Cube. 

Intrepid singers from Birmingham Festival Choral Society braved the snow and ice on Tuesday to sing carols at the Cube, the distinctive Birmingham landmark containing offices, shops, apartments and restaurants. The ‘Carol Festival’ was to raise money for the Birmingham Children’s Hospital, the Cube’s chosen charity.

The atrium of the Cube is open to the elements and if you’re wondering whether it was cold, take a look at our two Music Directors for the evening, Alexandra and David Wynne!

The atrium looked very pretty though, with the huge Christmas tree.

BFCS started the evening with a selection of Christmas music, then we were followed by the children of the St Chad’s Children’s choir, led by both David and Alexandra. Finally, we heard from two of Alexandra’s workplace choirs made up of singers from firms based in the Cube.

We hope that all those workers, shoppers and diners passing through the Cube enjoyed the Christmas music, and dropped a generous donation in the collecting buckets for the Birmingham Children’s Hospital. Birmingham Festival Choral Society was pleased to support such a worthwhile cause.

Happy Christmas!