Category Archives: choral society

Romania tour – looking back.

We’d like to share with you some of the photos and videos that are coming though from our tour to Romania, particularly for those who have not been able to see the posts on our social media accounts. This blog just covers our first , very busy, day in Bucharest:

Birmingham Festival Choral Society announced its presence in Bucharest by doing a ‘Flash mob’ rendition of Vivaldi’s Gloria in the big bookshop Carturesti Carusel! We were delighted with this high quality video , sent to us by our Romanian hosts.

Carturesti Carusel bookshop.

Following the flash mob, we gathered on the stairs and gave a 20 minute performance, which was shown live on the bookshop’s Facebook page.

BFCS perform in the Carturesti Carusel bookshop, Bucharest

Our first performance over, singers had a couple of hours to relax in Bucharest, before being taken to the University for the next rehearsal and concert.

The Titu Maiorescu University building was covered with our posters, and we performed to a very appreciative audience.

Alexandra Wynne, our soloist on tour, performed Mozart’s Laudate Dominum and Stanford’s ‘Blue Bird’ with the choir, and Mozart’s virtuoso ‘Alleluia’.

David Wynne (baritone) sang the solo verse in ‘The Turtle Dove’ and Mitch Holland (tenor) sang the solo verse in ‘Ca’ the Yowes’, both arranged by Vaughan Williams.

Many thanks to Alfred White and Marilyn Kent for taking such great photos of BFCS on tour.

The tour blog written on the first day can be read here.

We look forward to sharing more photos and videos from the tour in future blogs.

A 19th century castle and 21st century technology.

Romania choir tour blog no 6.

After our wonderful concert in Sighisoara, and our big meal together, it seemed as if the choir tour was over. Sunday was the day for packing up and travelling home.

Our Romanian guide and our tour committee had one more trick up their sleeves, however. They decided that we should leave 4 hours earlier than planned, as big delays were possible through some road works. If we were not delayed, we would have time to visit Peles Castle.

Fortunately, there were no delays so we found ourselves with a lovely long break to enjoy the castle and surrounds in glorious sunshine.

Google told us that ‘Peleș Castle is a Neo-Renaissance castle in the Carpathian Mountains, near Sinaia, in Prahova County, Romania, on an existing medieval route linking Transylvania and Wallachia, built between 1873 and 1914. Its inauguration was held in 1883. It was constructed for King Carol I.’

The coach journey to the airport gave a chance to write the blog about the day before. Technology has improved so much since our last tour, 3 years ago. Reliable WiFi in the hotel and on the coach, and a good smartphone meant that the blog could be done on the go. Smartphone photos taken while sightseeing could be added easily. As a singer, it has previously been complicated to get pictures when we were singing, but this time our photographer, Alfred White, sent smartphone pictures of our concerts by Email, in addition to the pictures he’s been taking on his DSLR camera for later delivery. This has also been the first tour where the conductor has conducted from a tablet, instead of numerous music books and pieces of paper.

Another big change since the last tour has been the growth of social media, particularly for our concerts in Bucharest. We have had a big response to our Facebook events and posts, and we have gained a lot of new followers from the concerts. A number of people from our audiences, and the Youth Choir sent messages of congratulation. The bookshop Facebook page carried a 20 minute live video of our flashmob and performance, and the Bran Castle Facebook page posted a video of our singing in the courtyard. The Youth Choir Cor cu Dor posted some excellent photos and a video on Facebook. A Russian tourist posted a 1 minute video of us singing in Bran Castle on Instagram, and sent the original video when requested.

BFCS singers at home, and our families were enjoying the blogs, and posts on Social media, and sent messages of support. BFCS singers on tour were sharing them on their own social media, spreading the word about BFCS and the wonderful experiences we were having. It all made a very exiting buzz – but it was hard to squeeze it all in to the very limited free time!

Our energy started to sag when we reached the airport and saw that our flight was delayed. In the end, we took off 45 minutes late, but this was compounded when we had to wait just under an hour for our luggage at Luton.

Eventually we were on our way, only to encounter big traffic jams at the point where the M1 was reduced to one lane only. We eventually arrived at our Birmingham destination at 2.50 am.

Some singers had to be up early for work, and we were all very weary – but it was all worth it! We’d like to thank our wonderful tour committee for all the hard work they’ve put in to give us such a wonderful experience.

We hope to share photos and videos as they come in, in our post-tour blogs.

Christine Wright

Singing for all ages in Bucharest.

Bucharest day 2 started with a free morning! Some singers set off bright and early for sight-seeing, but others took the opportunity to rest, communicate with home, write a tour blog (!) and just have a quiet stroll around and a bite to eat.

The University of Music was a 20 minute walk from the hotel, and soon identified by the graduating music students in cap and gown, and the BFCS poster on the notice board outside.

Inside, we had our first glimpse of the youth choir, Cor cu Dor, who were to share our concert that evening. As they rehearsed we were bowled over by their perfect performance of popular songs in English from memory. Their ages ranged from about 7 to 18 years of age,and they were led by an inspirational lady who communicated exactly what she wanted through her gestures, rather than a strict beat.

In the concert later we also heard them give an interesting representation of the dawn chorus, and other difficult rhythmic songs, but the star piece was a full version of Queen’s ‘Bohemian Rhapsody’ with choreography.

We learnt afterwards that they practise 3 times a week, and practise every day when they have a performance coming up.

Our performance provided a contrast, but we hope that the young people and the rest of the audience were inspired by hearing a full SATB choir from the English choral tradition, plus our soprano soloist Alexandra Wynne. They certainly responded to every song with whoops and cheers!

Solo lines in our folk songs were taken by David Wynne and Mitch Holland, and Geoff Evans and Barry Jones sang the solo lines in ‘Let all mortal flesh keep silence’.

This choir tour had been moved to May (instead of the usual July / August) in the hope of finding lower temperatures. However, the concert on the enclosed stage at the University of Music provided the full tour experience we remember so well from the past, with high temperatures exacerbated by us all standing so close together, resulting in sweat dripping into our eyes and onto the music, and running down our backs. Such is the lot of a touring musician!

The concert ended with the Cor cu Dor joining us again in stage to sing the Romanian song ‘Corborai din deal in vale’ together. The joint choir included singers covering an age span of 80 years, united by a love of singing. It was a good ending to a great concert!

This blog is being written on the coach to Brasov, Transylvania, for the second half of our tour. We look forward to posting about our experiences there.

BFCS on tour in Romania!

Greetings from Bucharest, where Birmingham Festival Choral Society are on tour!

We here travelled here on Monday, courtesy of Johnson’s coaches and Wizzair, arriving in our rooms at 9pm Romanian time. The first choice was whether to venture out into Bucharest to find food, or whether to settle for a packet of pretzels in the hotel bar and prioritise sleep!

We hit the ground running on Tuesday, with a rehearsal at 9am (following the logistics of 63 singers descending for breakfast at the same time). Concert clothes had been loaded onto the coach, and music had to be sorted into concert order.

The next challenge was to locate a bookstore in the centre of town for our first short performance. Singers set off on foot, or by metro or taxi, clutching maps, or phones with Google maps. Some did unexpected detours, others actually got there in time to have a drink beforehand!

We gathered in the beautiful Carturesti bookshop at midday, and spaced ourselves throughout the store. When Kevin stuck up the intro on the keyboard, we all burst into song with the first movement of Vivaldi’s Gloria! It made a big impact on the shoppers in the store, and they were soon filming us on their phones. We gathered together on the steps and did the remainder of our 20 minute performance. The store streamed the whole performance on Facebook- you can see it shared on our choir Facebook page.

It was lovely to have a few hours afterwards to enjoy lunch with other singers, before gathering again to be taken to the Titu Maiorescu University for our next rehearsal and concert. It was wonderful to be greated with dozens of posters for our concert on every door and wall space! Our hosts said that they were honoured that we had come, and provided us with welcome refreshments.

The concert took place in a modern auditorium, with a very appreciative audience. The choir rose to the occasion, despite the heat and a long stand with lots of heavy music. The Parry and Elgar were sung with gusto, and the folk songs and Stanford’s Blue Bird made a lovely contrast. The star of the show was our soloist Alexandra, with her amazing performance of Mozart’s Laudate Dominum and Alleluia. The audience rose to their feet at the end – so we sang them an encore and got a second standing ovation!

You can see that we squeezed a lot into our first 24 hours! Being on tour is not for the faint hearted, but the experiences will stay in the memory for years to come. We look forward to more Romanian adventures to come… watch this space!

Choir tour to Romania

Going on tour is one of the highlights of singing in Birmingham Festival Choral Society! In the past 30 years we have been to many places, the tours to Eastern European countries being particularly interesting and well received. We are really looking forward to keeping up this tradition when we visit Romania between 27th May and 2 June.

The choir and family supporters will stay 3 nights in the capital, Bucharest, followed by 3 nights in Brasov, Transylvania. Our plans include a flash mob in a bookshop, an informal sing in “Dracula’s Castle” (Bran Castle) and four main concerts.

Bran Castle

Our programme will include well known choral classics, a selection of music by English composers, and some arrangements of folk songs from the British Isles. Kevin Gill will provide organ and piano accompaniment , and David Wynne will be the Music director. It is a special treat to have David’s wife, Alexandra, as our soprano soloist, and family support will be provided by their baby Sidney and his grandparents!

One of the more interesting aspects of touring abroad is meeting local people. In Bucharest we look forward to sharing a concert with the Youth Choir Cor cu Dor, and in Brasov we will visit the charity Asociata Nevazatorilov for the blind and visually impaired, to give them the money that was donated by Birmingham singers and supporters at our last concert. We look forward to learning more about the valuable work they do.

Biserica Manastirii Sighisoara, venue for our last concert.

Finally, no tour would be complete without the informal concert party, at which singers show a full range of musical and comedy talents! Much fun is had on tour, and friendships made. We’re not known as the Big Friendly Choral Society for nothing!

Summer concert in beautiful Warwick

Join us in the beautiful town of Warwick on 6th July for our summer concert, ‘The English Choral Tradition’. We will be singing in the magnificent church of St Mary, visible for miles around due to its tall tower. A church has a great history, having been on this site for 1000 years, and housing the splendid tombs of three Earls in its gothic Beauchamp Chapel. Our concert will take place in the 17th century nave, with its tall pillars creating a wonderful space for choral music.

Our concert comprises a beautiful selection of sacred and secular English choral music:

Elgar, Give Unto the Lord
Elgar, Songs from the Bavarian Highlands
Bairstow, Let All Mortal Flesh Keep Silence
Stanford, Blue Bird
Parry, Blest Pair of Sirens
Tallis, Loquebantur Variis Linguis
Purcell, Hear My Prayer
Chilcott, Londonderry Air
Chilcott, Irish Blessing

A selection of Folk Songs:
Afton Water (arranged by Willcocks),
The Oak and the Ash (arranged by Bairstow),
The Turtle Dove (arr Vaughan Williams),
Keel Row (arr Byrt),
Ca’ The Yowes (arr Vaughan Williams)

Piano/organ: Kevin Gill
Conductor: David Wynne

Click here for tickets to ‘The English Choral Tradition’.

Beautiful Brass!

 

Birmingham Festival Choral Society came together with Gemini Brass on 30th March to give a concert of glorious choral music. A full choir of 90 with brass ensemble and percussion performing grand works from royal occasions, such as ‘I was Glad’ (Parry), and ‘Coronation Te Deum’ (Walton), was a wonderful experience for both choir and audience.

Brass instruments aren’t just for loud music, however. This video clip shows Nigel Turner playing the beautiful trumpet solo in the third verse of ‘The Old Hundredth’, arranged by Vaughan Williams. It was recorded during our rehearsal by fellow trumpeter Mike Bates.

The clip above and the photo below show the choir singing ‘The Old Hundredth’ from memory. Although memory singing would not be possible in long, complex works, it is very liberating to do occasionally – and the conductor loves having all eyes watching him!

BFCS Gloria 2019 (Alf White) (20)

Brass and percussion are also an inspiring accompaniment for rhythmic choral works such as Rutter’s thrilling Gloria (which gave the title to the concert), and Vaughan Williams’ ‘O clap your hands’.

Contrast was provided in the concert by the beautiful melodic pieces of Will Todd and Jean Dattas. The sensitive piano and organ accompaniments were provided most ably, as always, by Kevin Gill.

BFCS Gloria 2019 (Alf White) (9)

The ‘Gloria’ concert included works by two composers with special links to BFCS. 2019 is the centenary of the birth of Jean Dattas, whose daughter, Sylvie, sings in BFCS and made us aware of his sacred choral compositions. Jean Dattas was a French organist, teacher and composer in Paris, then in London. It was good to have some English members of the family in the audience but, unfortunately, the French members of the Dattas family who were planning to get to the concert by Eurostar were prevented by problems both sides of the channel. We’re pleased that they were able to hear us perform Dattas’ Kyrie and Agnus Dei on tour in Burgundy three years ago.

We were also very pleased that some of John Joubert’s family were able to attend our concert to hear us perform his composition ‘O praise God in his holiness’ in his memory. John Joubert was Patron of BFCS for many years until his death in January of this year.

BFCS Gloria 2019 (Alf White) (4)

BFCS Gloria 2019 (Alf White) (5)

The dazzle of the brass instruments in the spot lights was nearly matched by the shiny gold shoes of our conductor, David Wynne!

We were delighted to have such a full audience for this concert, despite the clash with a lot of other concerts on the same evening. Their warm appreciation made all the hard work worthwhile. A great evening all round!

Many thanks to Alfred White for taking these excellent photos at the concert.

Gloria Full flyer

New Year’s Resolution? Join a Choir!

Do you, or someone you know, fancy joining a choir – but aren’t quite sure? Why not come along to our Open Rehearsal on Wednesday 9th January? We’re a friendly group of men and women of all ages, united by a love of singing.

Come along to Lordswood Girls School  at 7pm to have time to be welcomed, and introduced to someone in your voice part who will help guide you through the rehearsal. We’ll have a break for refreshments and socialising half way through. The rehearsal finishes at 9.30pm.

Click here for more information about joining our choir. We’d be grateful if you would pass this information on to anyone you think might be interested in our Open Rehearsal.

This is the concert we’ll be working towards this term. It includes some lovely choral classics , and some new works too. All wonderful to sing and enjoy!

Gloria Full flyer

Grant Us Peace!

Read Birmingham Music Library’s  new blog about our ‘Grant us Peace’ concert, a singer’s experience of singing the music, and some fascinating background information.

In Concert

Once again, we hand over the blog to another musical organisation. This time it’s Birmingham Festival Choral Society and their contribution to the Armistice commemorations. We met members of BFCS in an earlier post which talked about a weekend away rehearsing. As this post goes out, it falls between two concerts which BFCS and Nottinghamshire-based Ryton Chorale are presenting together on the theme of war and peace. The two works are Howard Goodall’s Eternal Light, and Ralph Vaughan William’s Dona Nobis Pacem.

Poppies in Flanders Poppies flowering in Flanders

I know the VW well, having played in two performances, but I don’t know the Goodall. Both composers take ancient Latin texts from the church liturgy and add new words. In VW’s case, more poetry from his beloved Walt Whitman, and the Old Testament; and from various sources for Goodall’s work.

Here’s a piece from one of BFCS’ singers about her experience…

View original post 674 more words

Grant us Peace

This term Birmingham Festival Choral Society will be preparing thought-provoking works by Vaughan Williams and Howard Goodall to mark 100 years since the ending of the first World War. We will join with Ryton Chorale, David Wynne’s other choral society, for two concerts in November.

The theme of the concert is ‘Grant us Peace’.

Vaughan Williams produced his plea for peace, ‘Dona Nobis pacem’ at a time when there were fears of a second World War, so shortly after the first. His texts were taken from the Mass, the Bible, a political speech and three poems by Walt Whitman. The phrase Dona nobis pacem (“Give us peace”), in different settings, punctuates the entire piece.

‘Eternal Light’ by Howard Goodall uses phrases from the Latin Requiem in each movement, beside words from English poetry from across the last 500 years, in an attempt to provide some solace for the living who mourn those lost as a result of war.

GRANT US PEACE.

Reflective music to mark the ending of the First World War.

Saturday 10 November 2018, 7.30pm

Crossing Church and Centre, Newcastle Street, Worksop S80 2AT

Saturday 17 November 2018, 7.30pm

St George’s Church, Edgbaston, Birmingham, B15 3DQ

Howard Goodall, Eternal Light

Vaughan Williams, Dona Nobis Pacem

Birmingham Festival Choral Society and Ryton Chorale.

Holly Teague, Soprano

Miles Taylor, Baritone

Kevin Gill Darren Hogg and Mitch Holland, Piano and organ.

Vera Khait, harp

Conductor: David Wynne

Poster image: Chris Fletcher.