Category Archives: choral society

Grant Us Peace!

Read Birmingham Music Library’s  new blog about our ‘Grant us Peace’ concert, a singer’s experience of singing the music, and some fascinating background information.

In Concert

Once again, we hand over the blog to another musical organisation. This time it’s Birmingham Festival Choral Society and their contribution to the Armistice commemorations. We met members of BFCS in an earlier post which talked about a weekend away rehearsing. As this post goes out, it falls between two concerts which BFCS and Nottinghamshire-based Ryton Chorale are presenting together on the theme of war and peace. The two works are Howard Goodall’s Eternal Light, and Ralph Vaughan William’s Dona Nobis Pacem.

Poppies in Flanders Poppies flowering in Flanders

I know the VW well, having played in two performances, but I don’t know the Goodall. Both composers take ancient Latin texts from the church liturgy and add new words. In VW’s case, more poetry from his beloved Walt Whitman, and the Old Testament; and from various sources for Goodall’s work.

Here’s a piece from one of BFCS’ singers about her experience…

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Grant us Peace

This term Birmingham Festival Choral Society will be preparing thought-provoking works by Vaughan Williams and Howard Goodall to mark 100 years since the ending of the first World War. We will join with Ryton Chorale, David Wynne’s other choral society, for two concerts in November.

The theme of the concert is ‘Grant us Peace’.

Vaughan Williams produced his plea for peace, ‘Dona Nobis pacem’ at a time when there were fears of a second World War, so shortly after the first. His texts were taken from the Mass, the Bible, a political speech and three poems by Walt Whitman. The phrase Dona nobis pacem (“Give us peace”), in different settings, punctuates the entire piece.

‘Eternal Light’ by Howard Goodall uses phrases from the Latin Requiem in each movement, beside words from English poetry from across the last 500 years, in an attempt to provide some solace for the living who mourn those lost as a result of war.

GRANT US PEACE.

Reflective music to mark the ending of the First World War.

Saturday 10 November 2018, 7.30pm

Crossing Church and Centre, Newcastle Street, Worksop S80 2AT

Saturday 17 November 2018, 7.30pm

St George’s Church, Edgbaston, Birmingham, B15 3DQ

Howard Goodall, Eternal Light

Vaughan Williams, Dona Nobis Pacem

Birmingham Festival Choral Society and Ryton Chorale.

Holly Teague, Soprano

Miles Taylor, Baritone

Kevin Gill Darren Hogg and Mitch Holland, Piano and organ.

Vera Khait, harp

Conductor: David Wynne

Poster image: Chris Fletcher.

Come to our Open Rehearsal!

Do you, or someone you know, fancy joining a choir – but aren’t quite sure? Why not come along to our Open Rehearsal on Wednesday 5th September? We’re a friendly group of men and women of all ages, united by a love of singing.

Come along to Lordswood Girls School  at 7pm to have time to be welcomed, and introduced to someone in your voice part who will help guide you through the rehearsal. We’ll have a break for refreshments and socialising half way through. The rehearsal finishes at 9.30pm.

Click here for more information about joining our choir. We’d be grateful if you would pass this information on to anyone you think might be interested in our Open Rehearsal.

This is the concert we’ll be working towards this term. The music promises to be inspiring and moving, as we think about the ending of the first World War 100 years ago.

Nov18 flyer

Shakespeare and the Latin Mass – jazz style.

A full hall for 'Choral Jazz and Blues' (Photo by David Jones)

Trefoil House was full for our ‘Choral Jazz and Blues’ concert on a hot night in July. Our guests relaxed at tables, sipping their drinks and eating their snacks as they listened to a style of choral music that was very different to the usual BFCS repertoire.

It was a treat for the singers to be accompanied by such skilful Jazz musicians. Chris Corcoran on piano, Dave Wilkes on drums and Mike Green on upright bass gave us a rhythmic accompaniment that really boosted our singing!

Photo by David Jones.BFCS accompanied by the Jazz trio Photo by David Jones)

The first half of the programme consisted of George Shearing’s ‘Songs and Sonnets from Shakespeare’, and the ‘Birthday Madrigals’ that John Rutter wrote for Shearing’s 75th birthday. Both works fuse traditional choral music with American Jazz influences. The Jazz Trio then entertained us, while people refilled their glasses or stepped outside to cool down.

The highlight of the evening came after the interval. ‘Mass in Blue’, Will Todd’s popular setting of the Latin Mass, combines his background in sacred choral music with his love of jazz. Although the style had seemed unfamiliar at the beginning of term, the BFCS singers had soon come to love the beauty of the Kyrie and Sanctus, the fun of the Benedictus, and the excitement of the Credo and Agnus Dei! Our soprano soloist Hannah Davey was just awesome, effortlessly moving between the loudest sections, with top Cs, and the spine-tingling beauty of the ‘Et incarnatus est’.

Hannah Davey 2

What a lovely surprise to find out that the concert had been recorded from the audience! Thank you to Alex Botten for sending this to us:

This concert was very popular with both singers and audience, and we hope to explore some other choral jazz works in the future. Watch this space!

 

David Jones IMG_3218Mandy Hart IMG-20180714-WA0001

Many thanks to David Jones and Mandy Hart for taking these pictures from the audience.

Summer flyer (1)

‘Magic mushrooms’ and other singing tips

Thanks to the Birmingham Music Library for this lovely Blog about BFCS!

In Concert

The music’s live! again, and this time we’re in the company of a local choir, the Birmingham Festival Choral Society (BFCS, for short).

A Bit of history

BFCS has a long history, stretching way back into the nineteenth century. Its history is intertwined with that of the Birmingham Triennial Music Festivals. The Festivals were held every three years to raise money for the Birmingham General Hospital. As the nineteenth century progressed, the Festival administrators spent a lot of time and effort attracting the best musical talent to compose and perform new choral music. These commissions composed by Mendelssohn, Dvorak, Sullivan, Gounod, Stanford, and later, Elgar, represented some of the best music of the time, and the BFCS was there, right at the centre. BFCS singers formed the core of each chorus used at the Festivals.

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Christmas Carol Concert.

WINTER’S SNOW

Birmingham Festival Choral Society presents our ever popular Christmas charity concert!

Come and share Christmas music and carols, followed by festive refreshments.

A collection will be taken for the Brain Injury Rehabilitation Trust.

Saturday 16th December 6pm

St John’s and St Peter’s Church, Ladywood ARC, Darnley Road, Birmingham, B16 8TF

Birmingham Festival Choral Society.

Conductor: David Wynne.

Organist: Kevin Gill

 

Tickets £10 (under 18s free).  Click here for tickets.

 

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‘Mozart Requiem’ – 18th November!

We do hope that you will be able to come to hear two beautiful works of choral sacred music at the next  Birmingham Festival Choral Society concert.

Mozart’s much-loved Requiem will be performed by BFCS on 18th November, using Czerny’s beautiful, and rarely-heard, accompaniment for piano (four hands).

Mozart died at only 35 – poignantly, whilst working on his Requiem Mass. The mysterious circumstances around his last days formed the basis of the film ‘Amadeus’. The Requiem is a serene epitaph to a supremely gifted and revered composer.

In contrast, Ralph Vaughan Williams lived until his mid-80s. His Mass in G Minor, the other work in the concert, is notable for being the first Catholic Mass to be written in England since the Reformation. His experiences shortly before, as an ambulance driver in in the first World War, must surely have had some influence on the contemplative style of the piece. The Mass reflects the style of Byrd and other great Elizabethan church composers which was enjoying a revival in the early 20th century. It was first performed as a concert piece in Birmingham in 1922, and was first used as an integral part of the Mass in Westminster Cathedral in 1923.

Click here for tickets to Mozart Requiem.

MOZART REQUIEM

Saturday 18th November 7.30pm

Ladywood ARC, St John’s and St Peter’s Church.
Darnley Rd
Birmingham
West Midlands
B16 8TF

Mozart: Requiem 

Czerny’s four-hand piano accompaniment: Kevin Gill and Stephen Hargreaves.

Vaughan Williams: Mass in G minor

for unaccompanied double choir.

Vaughan Williams: Rhosymedre (organ)

Vaughan Williams: Fantasia on Greensleaves (KG and SH, piano)

Vocal soloists from the Birmingham Conservatoire: Olivia Thornber, Elise Fairley, Jack Dolan and Joseph Clayton

Birmingham Festival Choral Society.

Conductor: David Wynne.

 

Mozart req 4

Birmingham Weekender

Birmingham was buzzing last weekend with hundreds of music and dance events happening in the ‘Birmingham Weekender’  event. There was ballet in the Bullring, an Orchestra playing in a multi storey car park, a parade through New Street led by a large mechanical elephant, and music and dance from all over the world.

[Photos: Christine Wright]

Birmingham Festival Choral Society was formed for the big Birmingham music festivals in Victorian times, so it was only right that we should be there at the big Birmingham music festival 170 years later!

We represented music of the Western Choral tradition, with pieces by Mozart, Elgar, Brahms and Chilcott.

[Photo: Jill Lampert]

[Above photos: Barry Whitehead]

It was a great experience to be a part of such an exciting event, and many of our singers took the chance to experience the performances going on over the city centre. The icing on the cake was having the chance to tour the brand new building of the newly honoured Royal Birmingham Conservatoire.

Come to our Open Rehearsal on 6th September!

The first Wednesday of term is always an Open Rehearsal. Come and have a sing with us! It doesn’t matter whether it’s years since you sang at school, or whether you’re a regular singer – all are welcome to try us, with no obligation. Chat to our singers over coffee and cake in the interval.

We are a friendly choir of men and women with a wide range of ages and abilities, united by a love of singing. This term we’ll be learning the Mozart Requiem and Vaughan Williams Mass in G minor for our November concert, followed by Carols for Christmas.

You can find more details about joining BFCS here: Join our choir

As well as giving concerts in Birmingham and the Midlands, we tour abroad every 3 years – great for singing experiences, as well as strengthening choir friendships. Further information can be found on our Tours page: Tours

The Open Rehearsal starts at 7pm on Wednesday 6th September – we hope to see you there!

 

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BFCS singers sightseeing during their tour in Burgundy, France. July 2016.

Carmina! How did it sound?

From the Birmingham Post, 22nd June 2017:

2017-06-29 10.51.45

 

Reviews sent to our website , from members of the audience.

Superb! I’m not musically trained but I’ve been listening to 
classical music for decades 
& have heard a number of recordings of the Orff. 
A live performance is audibly preferable – even if the production 
is less to one’s taste. 
THIS was so strikingly superior and “live” to any recording I’ve 
ever heard – plus we could 
see how the less featured instruments actually perform. 

The joint choir, the juniors and the soloists were powerful, 
subtle and convincing. 
We thought it an excellent experience for the young singers to be 
there in the midst of the 
whole performance – and weren’t they mature throughout! 

The Bernstein was entirely new to us, again, convincing in its 
linguistic variety and engrossing. 

As to what can be released from a Pandora’s suitcase! And how 
they acted their parts in it! 
An astounding evening we would not have missed. 

*****

A wonderful Saturday evening at the Bramall.
A warm (very) summer’s evening, a perfect setting in the University, an audience bursting with anticipation—-and amazing performances by everyone.
The sound was quite literally stupendous—it amazed and dazzled and overwhelmed….
Everyone involved must be—and quite rightly—very proud….

*****

A brief note to say how much we enjoyed the concert on Saturday. 

The Chichester Psalms were new to us and a little challenging. The percussion was excellent and superb entertainment. Carmina Burana was magnificent. Congratulations to all who took part.

The looks on the childrens’ faces at the percussionists’ faces was almost worth the ticket price alone. 
We frequently attend your concerts – travelling from Nuneaton.
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