Category Archives: Birmingham

Our professional jazz performers for ‘Mass in Blue’

We have an exciting line up of professional jazz musicians for our performance of Will Todd’s Mass in Blue on Saturday 14th July!

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Hannah Davey, sings the soprano solo, which is a major part of the work and has great moments of interplay with the choir. Hannah has the rare talent of being equally at home singing classical and jazz music. As well as professional singing, Hannah works with the charity ‘Music for Autism’which provides high calibre performance for children and adults with special needs.

Our Jazz Trio consists of Chris Corcoran, piano, Mike Green on upright bass and Dave Wilkes on drums.

Chris is well known in the Birmingham area as a director or accompanist for musical theatre. He enjoys arranging and composing jazz music, and has played and toured with many bands.

Mike’s experience varies from small intimate Jazz Clubs to appearing on national TV. In recent years he has been touring and recording with Gypsy jazz guitarist Remi Harris.

Dave was playing in the junior section of the Midlands Jazz Orchestra as young as 6 years of age! In more recent years he’s played with many bands on tour, and in theatre for shows such as ‘Legally Blonde’ and ‘Back to the 80s’ in Birmingham.

We can’t wait to perform ‘Mass in Blue’ with such  exciting musicians!

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Bach’s St John Passion, with specialist early music performers.

BACH: ST JOHN PASSION. Saturday 24th March 7.30pm. St Augustine’s Church, Edgbaston, Birmingham B16 9JN

On 24th March Birmingham Festival Choral Society will be singing with some very talented and highly regarded instrumentalists and vocal soloists who specialise in early music. We hope that you will be able to share this special occasion with us.

The Musical and Amicable Society Baroque Orchestra

The original Musical and Amicable Society was founded in 1762 by James Kempson, who directed the choir at St Bartholomew’s Chapel, Birmingham. Together with fellow musicians from St Philip’s Church (now Birmingham Cathedral), Kempson and his singers gathered on a regular basis at Cooke’s tavern in the Cherry Orchard “for practice and recreation”. In 2003, Kate Fawcett and Martin Perkins decided to revive this historic society as a collective of professional period-instrument specialists. Their presiding ethos is one of chamber music – however large or small the formation – where each and every performer has a significant role to play. Individually, their members maintain successful freelance careers with some of Europe’s most prestigious period-instrument ensembles.

Andrew King photo Mike Cotter 2018

Andrew King – Evangelist

Andrew King is known mostly as a singer specialising in Renaissance and Baroque music. In his early career he sang with The Tallis Scholars, BBC Singers and as a founder member of The Sixteen. Apart from his solo appearances in oratorio and baroque operas he has always enjoyed small ensemble work. As Evangelist in the Bach St. John and St. Matthew Passions he has performed in many concerts at home and abroad.

Andrew teaches at the Royal Birmingham Conservatoire and also at the University of Birmingham

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Andrew Tipple – Christus

Andrew has appeared in many operatic performances. He also regularly appears in concert, singing a large variety of repertoire including Bach’s St John Passion at Arundel Cathedral.

091 Emilia Morton

Emilia Morton Soprano

As a member of The Sixteen Emilia has made a number of recordings and performed concerts around the world. She is also a member of Tenebrae, with whom she has made many recordings and performed solos in Bach’s Mass in B minor.

Matthew Venner

Matthew Venner Alto

Matthew is a member of the internationally renowned Orlando Consort, an ensemble specialising in medieval and early renaissance music. He has performed with many of today’s leading vocal ensembles including The Cardinall’s Musick, The King’s Consort, The Monteverdi Choir, The Sixteen and The Tallis Scholars.

Matthew has become increasingly in demand as a soloist, and has sung on many recordings.

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Robert Jenkins – Tenor

Robert completed his Bachelor in Music (Honours) degree at Birmingham Conservatoire in 2012, studying under Professor Julian Pike. During his time in Birmingham, Robert was Tenor Lay Clark at Birmingham Cathedral. Robert now follows a freelance career and sings with many professional ensembles, including the BBC Singers, Ex-Cathedra, Polyphony, Philharmonia Voices and Siglo de Oro.

 

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Richard Paterson – Bass

Richard Paterson studied with Julian Pike and Gordon Sandison at the Birmingham Conservatoire, where he sang as part of the Conservatoire Chamber Choir, under the direction of Paul Spicer. Richard sang for the Reinterment of King Richard III in Leicester Cathedral in 2015 before taking up a position later that year as Bass Lay Vicar at Chichester Cathedral, where he sings for regular services and concerts.

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J S Bach: St John Passion

BACH: ST JOHN PASSION

During the holy season of Lent it is hard to imagine a spiritually more uplifting experience than listening to, or performing, one of the magnificent settings by J.S. Bach of the Passion of Jesus Christ.

One of the greatest choral works of all time, the St John Passion has been described as a deeply human, intensely dramatic telling of Christ’s betrayal, suffering and death set to music of heartbreaking beauty. It was first heard in St Thomas’s Church, Leipzig, in 1724 as one of the Good Friday liturgies; how fitting, therefore, that a performance by one of the Midlands’ premier choirs, the Birmingham Festival Choral Society, will be held on the eve of Holy Week, Saturday March 24th.

The choir’s Music Director David Wynne regards Bach’s St John Passion as “a remarkable work, combining large-scale chorus movements, congregational chorales and solo movements. It was written three years before the same composer’s St Matthew Passion and, being on a smaller scale, is often considered more intimate.”

Adding to the authenticity of the performance will be the participating orchestra, “The Musical & Amicable Society”, a renowned baroque ensemble, together with a team of distinguished international soloists led by Andrew King (The Evangelist). Moreover, for many who prefer sacred works to be heard in an ecclesiastical setting rather a concert hall, the Passion will be held in the one of the city’s most beautiful churches, St Augustine’s, Edgbaston.

The Birmingham Festival Choral Society’s performance of Bach’s St John Passion at St Augustine’s Church, Lyttleton Road, Birmingham B16 9NJ will take place on Saturday March 24th at 7.30pm.

Click here for tickets to Bach’s St John Passion

Final Bach flyer (5)

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St Augustine’s Church, Edgbaston B16 9JN

Christmas cheer at Ladywood ARC!

When the title ‘Winter’s Snow’ was chosen for our Carol concert, we could not have foreseen that deep snow would fall on the Midlands the week before! Fortunately, the roads were clear by the time of our Carol concert in Ladywood ARC on 16th December.

Our guests were welcomed by the lovely music of a recorder quartet, played by Margaret, Judy, Barry and Margund.

The choir, in their bright Christmas colours, started the concert with ‘See amid the winter’s snow‘ followed by some well loved traditional carols.  Christmas wouldn’t be Christmas without some John Rutter favourites, and they contrasted with the more complex rhthyms of Sir Christemus (William Mathias) and Ceremonies (written by Patrick Larley for the ‘special birthday’ of one of our sopranos a few years ago). The hauntingly beautiful ‘O magnum mysterium’ by Morten Lauridsen was a highlight for many of the singers and audience.

 

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The Christmas music was broken up by Liz’s  dramatic reading of the humorous  Twelve thank you notes of Christmas (John Julius Norwich), and John Betjeman’s poem Christmas, read by David.

Our guests from the Brain Injury Rehabilitation Trust told us of their valuable work, and we were very pleased to find out later that our concert had raised £960 for the Trust.

 

We were a little surprised to find that an organ solo – Bach’s Wachet auf – had been programmed near the end of the concert, and even more surprised when our Music Director, David Wynne, disappeared – but all was explained when he came back, wearing a very dazzling Christmas suit! The concert ended with many smiling faces in the choir, as ‘the suit’ conducted us in Rutter’s Twelve days of Christmas!

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The evening ended with lots of happy chatter as we shared mulled wine and mince pies with our guests in the audience.

Happy Christmas everyone!

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Carol Festival at the Cube. 

Intrepid singers from Birmingham Festival Choral Society braved the snow and ice on Tuesday to sing carols at the Cube, the distinctive Birmingham landmark containing offices, shops, apartments and restaurants. The ‘Carol Festival’ was to raise money for the Birmingham Children’s Hospital, the Cube’s chosen charity.

The atrium of the Cube is open to the elements and if you’re wondering whether it was cold, take a look at our two Music Directors for the evening, Alexandra and David Wynne!

The atrium looked very pretty though, with the huge Christmas tree.

BFCS started the evening with a selection of Christmas music, then we were followed by the children of the St Chad’s Children’s choir, led by both David and Alexandra. Finally, we heard from two of Alexandra’s workplace choirs made up of singers from firms based in the Cube.

We hope that all those workers, shoppers and diners passing through the Cube enjoyed the Christmas music, and dropped a generous donation in the collecting buckets for the Birmingham Children’s Hospital. Birmingham Festival Choral Society was pleased to support such a worthwhile cause.

Happy Christmas!

50th anniversary of Crisis UK. 

Last night, BFCS singers led the singing at the Crisis UK 50th anniversary Carol Service in St Martin in the Bull Ring.

We heard stories of despair and hope from people who had been helped by the charity, and saw a video of their trip to London to record a new fund raising version of ‘Streets of London’ with Ralph McTell and Annie Lennox.

50 years ago, when ‘Streets of London’ was in the charts, ‘Crisis’ was set up to raise awareness of the problem of homelessness. The aim was to make it a thing of the past. They could not have foreseen that in 2017 the problem would be greater than ever.

We were pleased to support this much needed charity.

‘Crisis’ 50th Anniversary Carol Concert.

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Singers from Birmingham Festival Choral Society will be leading the congregational singing at the ‘Crisis’ 50th Anniversary Carol concert in St Martin in the Bull Ring, 6 – 7pm on Tuesday 5th December.

Homelessness is a subject of concern to us all, and we were moved by the personal stories we heard at our charity carol service in aid of Crisis, last year.

Here is an invitation to you from the charity:

Crisis would like to invite you to a very special carol service to mark our 50th anniversary.

St Martin in the Bull Ring is a special venue for us and this year, our carol service takes on an even more significance as we mark our 50th Anniversary, and our successes in tackling homelessness over the years.

The carol service this year will allow us to reflect on the past fifty years and the remarkable people who have played a part in our history since we were formed as a cross-party awareness raising campaign in 1967.

It will also be a chance to come together to focus on our shared goal of ending homelessness for good.

Link to Crisis website.

 

 

 

Christmas Carol Concert.

WINTER’S SNOW

Birmingham Festival Choral Society presents our ever popular Christmas charity concert!

Come and share Christmas music and carols, followed by festive refreshments.

A collection will be taken for the Brain Injury Rehabilitation Trust.

Saturday 16th December 6pm

St John’s and St Peter’s Church, Ladywood ARC, Darnley Road, Birmingham, B16 8TF

Birmingham Festival Choral Society.

Conductor: David Wynne.

Organist: Kevin Gill

 

Tickets £10 (under 18s free).  Click here for tickets.

 

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‘Mozart Requiem’ – 18th November!

We do hope that you will be able to come to hear two beautiful works of choral sacred music at the next  Birmingham Festival Choral Society concert.

Mozart’s much-loved Requiem will be performed by BFCS on 18th November, using Czerny’s beautiful, and rarely-heard, accompaniment for piano (four hands).

Mozart died at only 35 – poignantly, whilst working on his Requiem Mass. The mysterious circumstances around his last days formed the basis of the film ‘Amadeus’. The Requiem is a serene epitaph to a supremely gifted and revered composer.

In contrast, Ralph Vaughan Williams lived until his mid-80s. His Mass in G Minor, the other work in the concert, is notable for being the first Catholic Mass to be written in England since the Reformation. His experiences shortly before, as an ambulance driver in in the first World War, must surely have had some influence on the contemplative style of the piece. The Mass reflects the style of Byrd and other great Elizabethan church composers which was enjoying a revival in the early 20th century. It was first performed as a concert piece in Birmingham in 1922, and was first used as an integral part of the Mass in Westminster Cathedral in 1923.

Click here for tickets to Mozart Requiem.

MOZART REQUIEM

Saturday 18th November 7.30pm

Ladywood ARC, St John’s and St Peter’s Church.
Darnley Rd
Birmingham
West Midlands
B16 8TF

Mozart: Requiem 

Czerny’s four-hand piano accompaniment: Kevin Gill and Stephen Hargreaves.

Vaughan Williams: Mass in G minor

for unaccompanied double choir.

Vaughan Williams: Rhosymedre (organ)

Vaughan Williams: Fantasia on Greensleaves (KG and SH, piano)

Vocal soloists from the Birmingham Conservatoire: Olivia Thornber, Elise Fairley, Jack Dolan and Joseph Clayton

Birmingham Festival Choral Society.

Conductor: David Wynne.

 

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Birmingham Weekender

Birmingham was buzzing last weekend with hundreds of music and dance events happening in the ‘Birmingham Weekender’  event. There was ballet in the Bullring, an Orchestra playing in a multi storey car park, a parade through New Street led by a large mechanical elephant, and music and dance from all over the world.

[Photos: Christine Wright]

Birmingham Festival Choral Society was formed for the big Birmingham music festivals in Victorian times, so it was only right that we should be there at the big Birmingham music festival 170 years later!

We represented music of the Western Choral tradition, with pieces by Mozart, Elgar, Brahms and Chilcott.

[Photo: Jill Lampert]

[Above photos: Barry Whitehead]

It was a great experience to be a part of such an exciting event, and many of our singers took the chance to experience the performances going on over the city centre. The icing on the cake was having the chance to tour the brand new building of the newly honoured Royal Birmingham Conservatoire.