Our Passion Music concert on 26th March was a night to remember. Singing with the rhythmic backing of a jazz ensemble and the gorgeous jazz vocalist was a wonderful experience. All those weeks of preparation, and the inspiring workshop with the composer Will Todd came together to produce an evening of glorious choral jazz and blues.
Piano – Kevin Gill, Double bass – Mike Green, Drums – Julian Powell, Saxophone – Andy Isherwood, Soprano – Hannah Davey.
Passion Music, written by Will Todd in 2018, is an extremely moving telling of the Easter story of Christ’s passion through English texts set to jazz and blues. We also loved singing Mass in Blue once again.
The choir wore blue and yellow ribbons to mark the tragic situation in Ukraine. At the beginning of the second half the choir sang A Prayer for Ukraine, and a retiring collection for the Disasters Emergency Committee Ukraine Relief Fund raised £620.
Thank you to talented photographer Kyle Simms for this great collection of photographs from the concert.
Will Todd’s Mass in Blue and Passion Music are very different from our usual repertoire, but we’re really loving those jazz rhythms and blues harmonies! Listen to our singers and Music Director talking about the Will Todd music we’re learning for the concert at the Ruddock Performing Arts Centre on 26th March.
One of the thrills of performing works by a living composer is that it’s possible to actually meet them, and discover their views on the way they’d like their music to sound. For this reason, we were delighted that Will Todd was able to join in our choir workshop on Sunday 27th February, and share his thoughts on his Mass in Blue and Passion Music as we prepare for our concert on 26th March.
We all warmed to Will straight away, and soon we found ourselves doing something we would not have believed possible – improvising in Dorian mode! That put us in the right frame of mind to study Passion Music before the break and, fortified by tea and cake, Mass in Blue afterwards.
David (Wynne), our Music Director, led us in singing each section, and then Will made encouraging and helpful comments on the style and tempo of the music. He was not dogmatic – in fact, one of the features of jazz and blues style is that there is room for interpretation.
Click to enlarge photos
Kevin (Gill), accompanied us with those complex jazzy rhythms and unfamiliar blues harmonies on the piano. It is a source of amazement how Kevin can play complex accompaniments to works as diverse as Rossini’s Petite Messe Solennelle, Brahm’s German Requiem and Will Todd’s Choral Jazz works without being fazed at all.
As always, there was plenty of time for humour!
Will Todd introduces Passion Music: In this video Will Todd describes how he chose the texts and set the music, illustrated with lots of excerpts from rehearsals and performances.
We’re delighted that Will Todd is coming to our choir workshop on Sunday. We’ll be rehearsing ‘Passion Music’ and ‘Mass in Blue’ , and it will be a real treat to hear insights from the composer of these wonderful pieces. They are challenging to learn, but it’s so rewarding to sing those complex rhythms and gorgeous blues harmonies.
In this 25 minute video, Will Todd gives us an insight into choosing the words for ‘Passion music’ and setting them to music. His fusion of choral, jazz and blues styles brings out the meaning of the story of Christ’s passion with spiritual sensitivity.
Rehearsals are well under way for a wonderful concert of Will Todd’s choral jazz music on Saturday 26th March.
Those who came to the Birmingham Festival Choral Society concert in July 2018 will remember the excitement of Mass in Blue, with its blend of energetic rhythmic jazz movements and gorgeous slow reflective pieces. Hannah Davey, our soprano soloist was the star of the show, and we’re delighted that she is able to sing with us again.
Passion Music was premiered in 2018 . Will Todd uses the same fusion of sacred choral music and jazz idoms to highlight different events in the Christian Passion story with spiritual sensitivity. The choir and soloist will be accompanied by a jazz ensemble consisting of piano, drums, double bass and saxophone.
Will Todd: Mass in Blue
Will Todd: Passion Music
Birmingham Festival Choral Society, conductor David Wynne,
Saturday 26th March 7.30pm
The Ruddock Performing Arts Centre, King Edward’s School,
Our Christmas concert on Sunday 5th December will be a real treat! It will include Christmas music, ranging from sacred to popular, from an adult choir, a children’s choir and a brass ensemble. It is also rumoured that a certain gentleman in red might make an appearance!
The adult choir is, of course, Birmingham Festival Choral Society, and the children’s choir is Eversfield Preparatory Singers – both led by David Wynne and accompanied by Kevin Gill. A dash of sparkle will be added by the Midland Brass Ensemble. With families in mind, the concert will start at 4.30pm and will be no longer than 75 minutes long. Christmassy refreshments will be provided after the concert.
We are looking forward to singing the lovely carol ‘From the Stable Floor’ in the presence of the local composer, EA Walker.
There will be an opportunity to donate to Zoe’s Place Baby Hospice, the very worthwhile charity chosen by the singers of Eversfield School.
The Christmas concert will also take place in a new venue – Our Lady of the Wayside Church, 566 Stratford Road, Shirley, B90 4AY. Click for map. The church is noteworthy for its architecture and works of art. Details of the church, the artworks and their symbolism can be found in this article on their website.
We look forward to sharing the best of the Christmas season with you!
Our Rossini concert on 30th October was a great occasion. It was wonderful to be performing live again – the first concert for 2 years.
BFCS had been ready to perform Rossini’s Petite Messe Solennelle in March 2020 when the pandemic caused the cancellation of the concert. We’ve been keeping it going during our Zoom rehearsals, so it was very well prepared! It was really enjoyable to sing it with such talented professionals – our soloists, Mimi Doulton, Rachel Gilmore, Ed Harrisson and Joe Kennedy, our accompanists, Ben de Souza and Kevin Gill, and our conductor, David Wynne. We were also very pleased to see so many of our friends and family in the audience.
Thank you to Alfred White for these lovely photos – a great souvenir of a wonderful evening.
Birmingham Festival Choral Society singers. Click the arrows to see all four photos.
Birmingham Festival Choral Society’s performance of Rossini’s Petite Messe Solennelle on 30th October has an impressive line up of first class performers taking part! We hope that you will be able to come to hear them.
Of special note is that one of the two instruments providing the accompaniment is an accordion – not an instrument usually seen in choral society concerts. Rossini wrote the work for performance at his musical salons, accompanied by either piano and accordion, or piano and harmonium.
Ben de Souza – Accordion
Our accordion player at the concert will be Ben de Souza, one of Britain’s top young accordion players who is at the forefront of promoting the instrument in this country. Ben is a regular recitalist and has performed extensively throughout England. He is also an active chamber musician, notably with violinist Chloë Meade.
Away from performing Ben works as an accordion teacher, an accordion repairer for ZZ Music and is the leader of the Cumberland Ceilidh Band.
In addition to his work as an accordionist Ben is choir director at Clare Hall, Cambridge and also works with choirs at Finchley Children’s Music Group and the John Lewis Partnership. He holds a Masters degree in Choral Studies from Cambridge University.
Kevin Gill – Piano
Kevin Gill is a freelance musician and teacher of Piano, Organ and Music Theory in Birmingham.
Kevin has been the regular rehearsal accompanist for the Birmingham Festival Choral Society since 1998. He has accompanied concert performances for BFCS and various other choral societies in many British venues, and on BFCS tours in Europe.
Over the years, Kevin has worked with many prestigious groups, including the the CBSO, its adult and youth choruses, Birmingham Opera Company, and the BBC. He has frequently given organ recitals and Piano duet recitals in and around Birmingham.
Kevin was appointed Musical Director of Atherstone Choral Society since 2008, and regularly deputises at BFCS rehearsals when the Music Director is away. He was the conductor for the BFCS tour to Slovakia in 2010.
Mimi Doulton – Soprano
British-Pakistani soprano Mimi Doulton is fast developing a reputation as an acclaimed interpreter of contemporary opera and song. Recent engagements include her professional debut at Wigmore Hall, and creating a work by Rakhi Singh in the Royal Opera House’s digital project 8-bit. She made her professional stage debut in 2018, in Birmingham Opera Company’s world premiere of Wake directed by the late Sir Graham Vick.
Alongside her performing work, Mimi is a passionate advocate for the rights of every child to access the arts as part of their education, and is proud to be connected to the charities Action for Children’s Arts, Songbound, Eye Music Trust and Voices of London Festival.
Ed Harrisson – Tenor
Ed Harrisson has performed a varied repertoire of oratorio and full roles with opera companies and choral societies, as well as professional choral singing. His recent oratorio work includes performances of Bach’s Mass in B minor, Verdi’s Requiem and the Evangelist in Bach’s St John Passion. He has worked with the City of Birmingham Symphony Orchestra and Chorus, the Midland Opera Company, Birmingham Opera, Ex Cathedra, British Youth Opera and the Royal Shakespeare Company.
Ed’s musical talents include conducting a local choir and orchestra, acting as music director for an amateur dramatic production, teaching double bass and music composition. He has composed choral works for Paul Spicer’s Conservatoire Chamber Choir, the Crescent Theatre and a fanfare for use at Birmingham University’s Graduation ceremonies.
Rachel Gilmore– Mezzo soprano.
Rachel Gilmore sings with English Voices and Kantos, and is a clerk at the Manchester Oratory. She has sung many roles in Britain and abroad. Rachel’s solo oratorio performances have included Pergolesi’s Stabat Mater with the Festival Ensemble Berlin; the premiere of Kleiberg’s Requiem in Leipzig’s Nikolaikirche; Haydn’s Creation with the BBC Philharmonic, Vivaldi’s Gloria with the Royal Northern Sinfonia, and Jenkin’s Mass for Peace in Mumbai, India. She also has a passion for performing contemporary works.
Rachel teaches singing to pupils of all ages and abilities in the Manchester area.
Joseph Kennedy – Bass
A prize winning graduate of Birmingham Conservatoire and the Guildhall School of Music and Drama, Joseph Kennedy has performed in many concerts and operas over his career.
Performance highlights include; Footman in Strauss’ Der Rosenkavalier (CBSO-Symphony Hall); a live broadcast on BBC Radio 3 ‘In Tune’ singing operatic excerpts; Haydn Creation (Royal Philharmonic Orchestra). Most recently, Joseph performed in the World Premiere of Brendan Ashe’s Magnificat
Bringing the whole concert together will be David Wynne.
David has been the Music Director of Birmingham Festival Choral Society since 2017. During that time he has directed a wide range of music, from Baroque works to larger-scale twentieth-century choral works and even to jazz. David is also the Music Director of the Warwick and Kenilworth Choral Society
As a visiting lecturer at the Royal Birmingham Junior Conservatoire, David works as choral director of the Senior Chorus and the Vocal Ensemble. He is head of choral conducting, teaches singing and musicianship, and is also vocal coordinator for the department.
Until recently David was a bass lay-clerk at St Chad’s Cathedral, and is still a regular deputy. He still runs the cathedral’s junior choir and choral outreach programme. He has worked with some of the country’s leading music education organisations, including Opera North, Welsh National Opera, the Armonico Consort, and Leicester and Leeds Cathedral’s education departments.
David is a busy freelance baritone soloist, as well as an occasional performer as a musician of the Royal Shakespeare Company.
After a break of nearly two years, Birmingham Festival Choral Society is delighted to invite you to a live concert! On 30th October 2021 we will be performing Rossini’s Petite Messe Solennelle – the concert we were about to perform when everything was stopped by the pandemic.
Our venue is the Ruddock Performing Arts Centre at Kings Edward’s School, Edgbaston. The Centre is following Covid-19 protocols to provide a safe environment. Tickets will be online only, so that the spacing of the seating can be controlled.
The Petite Messe Solennelle was written for performance at one of the very popular weekly musical salons held by Rossini and his wife at their Paris home. As such, it was originally scored for a small choir, accompanied by two pianos, with harmonium or accordion. We are looking forward to singing with piano and accordion accompaniment.
Rossini achieved superstar status early in life, having written over 40 operas by the age of 37. The William Tell Overture is one of the pieces for which he is best known in popular culture today. There followed a period of 25 years of ill health, during which he didn’t compose any new music.
In 1855 Rossini ‘returned to life’ on moving to Paris with his second wife, and their musical salons became internationally famous. These salons included music by many composers, and they inspired Rossini to write over 150 small works for performance by different soloists and ensembles.
The Petite Messe Solennelle was Rossini’s last major work , written in 1863. The opera composer’s beautiful melodies , colour and drama make this one of the most popular works in the choral repertoire. We love singing it, and we’re sure that you will enjoy listening to it too!
We hope that you will enjoy listening to the beautiful Kyrie by Josef Gabriel Rheinberger, sung by the Birmingham Festival Choral Society virtual double choir.
The Kyrie is the first movement of Rheinberger’s most famous choral work, the Mass for double choir in E flat, (Cantus Missae) Op 109. Written in 1878, it recalls the old compositional style of alternating unaccompanied choirs , as used in late Renaissance Venice. Listening through stereo headphones is the best way to appreciate the full double choir effect .
Music Director: David Wynne
Rehearsal accompanist: Kevin Gill
Video Editor: Michael Cullen
Audio Editor: Gareth Howell
The friendly Birmingham choir singing the world's best choral music.