Bach at the Sesquicentenary Festival

The singers of Birmingham Festival Choral Society are looking forward to singing Bach’s St John Passion at the Sesquicentenary celebrations of the church of St Augustine of Hippo, Edgbaston. Apparently , this is the name for 150 years – which means that the church opened just 22 years after our choir’s first performance, in the Birmingham Triennial Festival.

The church has a notable choral tradition, and was the first Anglican church in Birmingham to have a surpliced choir. The composer Herbert Howells wrote his ‘St Augustine’s Service’ for the choir in 1967. The church sits in the middle of the beautiful St Augustine’s conservation area.

We hope that you’ll be able to join us for our concert here on 24th March. Click here for further details of the concert Bach: St John Passion

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St Augustine's Edgbaston-5251

 

 

 

 

 

Christmas cheer at Ladywood ARC!

When the title ‘Winter’s Snow’ was chosen for our Carol concert, we could not have foreseen that deep snow would fall on the Midlands the week before! Fortunately, the roads were clear by the time of our Carol concert in Ladywood ARC on 16th December.

Our guests were welcomed by the lovely music of a recorder quartet, played by Margaret, Judy, Barry and Margund.

The choir, in their bright Christmas colours, started the concert with ‘See amid the winter’s snow‘ followed by some well loved traditional carols.  Christmas wouldn’t be Christmas without some John Rutter favourites, and they contrasted with the more complex rhthyms of Sir Christemus (William Mathias) and Ceremonies (written by Patrick Larley for the ‘special birthday’ of one of our sopranos a few years ago). The hauntingly beautiful ‘O magnum mysterium’ by Morten Lauridsen was a highlight for many of the singers and audience.

 

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The Christmas music was broken up by Liz’s  dramatic reading of the humorous  Twelve thank you notes of Christmas (John Julius Norwich), and John Betjeman’s poem Christmas, read by David.

Our guests from the Brain Injury Rehabilitation Trust told us of their valuable work, and we were very pleased to find out later that our concert had raised £960 for the Trust.

 

We were a little surprised to find that an organ solo – Bach’s Wachet auf – had been programmed near the end of the concert, and even more surprised when our Music Director, David Wynne, disappeared – but all was explained when he came back, wearing a very dazzling Christmas suit! The concert ended with many smiling faces in the choir, as ‘the suit’ conducted us in Rutter’s Twelve days of Christmas!

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The evening ended with lots of happy chatter as we shared mulled wine and mince pies with our guests in the audience.

Happy Christmas everyone!

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Carol Festival at the Cube. 

Intrepid singers from Birmingham Festival Choral Society braved the snow and ice on Tuesday to sing carols at the Cube, the distinctive Birmingham landmark containing offices, shops, apartments and restaurants. The ‘Carol Festival’ was to raise money for the Birmingham Children’s Hospital, the Cube’s chosen charity. 

The atrium of the Cube is open to the elements and if you’re wondering whether it was cold, take a look at our two Music Directors for the evening, Alexandra and David Wynne! 

The atrium looked very pretty though, with the huge Christmas tree. 

BFCS started the evening with a selection of Christmas music, then we were followed by the children of the St Chad’s Children’s choir, led by both David and Alexandra. Finally, we heard from two of Alexandra’s workplace choirs made up of singers from firms based in the Cube. 

 We hope that all those workers, shoppers and diners passing through the Cube enjoyed the Christmas music, and dropped a generous donation in the collecting buckets for the Birmingham Children’s Hospital. Birmingham Festival Choral Society was pleased to support such a worthwhile cause. 

Happy Christmas! 

50th anniversary of Crisis UK. 

Last night, BFCS singers led the singing at the Crisis UK 50th anniversary Carol Service in St Martin in the Bull Ring.

We heard stories of despair and hope from people who had been helped by the charity, and saw a video of their trip to London to record a new fund raising version of ‘Streets of London’ with Ralph McTell and Annie Lennox.

50 years ago, when ‘Streets of London’ was in the charts, ‘Crisis’ was set up to raise awareness of the problem of homelessness. The aim was to make it a thing of the past. They could not have foreseen that in 2017 the problem would be greater than ever.

We were pleased to support this much needed charity.

‘Crisis’ 50th Anniversary Carol Concert.

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Singers from Birmingham Festival Choral Society will be leading the congregational singing at the ‘Crisis’ 50th Anniversary Carol concert in St Martin in the Bull Ring, 6 – 7pm on Tuesday 5th December.

Homelessness is a subject of concern to us all, and we were moved by the personal stories we heard at our charity carol service in aid of Crisis, last year.

Here is an invitation to you from the charity:

Crisis would like to invite you to a very special carol service to mark our 50th anniversary.

St Martin in the Bull Ring is a special venue for us and this year, our carol service takes on an even more significance as we mark our 50th Anniversary, and our successes in tackling homelessness over the years.

The carol service this year will allow us to reflect on the past fifty years and the remarkable people who have played a part in our history since we were formed as a cross-party awareness raising campaign in 1967.

It will also be a chance to come together to focus on our shared goal of ending homelessness for good.

Link to Crisis website.

 

 

 

Christmas Carol Concert.

WINTER’S SNOW

Birmingham Festival Choral Society presents our ever popular Christmas charity concert!

Come and share Christmas music and carols, followed by festive refreshments.

A collection will be taken for the Brain Injury Rehabilitation Trust.

Saturday 16th December 6pm

St John’s and St Peter’s Church, Ladywood ARC, Darnley Road, Birmingham, B16 8TF

Birmingham Festival Choral Society.

Conductor: David Wynne.

Organist: Kevin Gill

 

Tickets £10 (under 18s free).  Click here for tickets.

 

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‘Mozart Requiem’ – 18th November!

We do hope that you will be able to come to hear two beautiful works of choral sacred music at the next  Birmingham Festival Choral Society concert.

Mozart’s much-loved Requiem will be performed by BFCS on 18th November, using Czerny’s beautiful, and rarely-heard, accompaniment for piano (four hands).

Mozart died at only 35 – poignantly, whilst working on his Requiem Mass. The mysterious circumstances around his last days formed the basis of the film ‘Amadeus’. The Requiem is a serene epitaph to a supremely gifted and revered composer.

In contrast, Ralph Vaughan Williams lived until his mid-80s. His Mass in G Minor, the other work in the concert, is notable for being the first Catholic Mass to be written in England since the Reformation. His experiences shortly before, as an ambulance driver in in the first World War, must surely have had some influence on the contemplative style of the piece. The Mass reflects the style of Byrd and other great Elizabethan church composers which was enjoying a revival in the early 20th century. It was first performed as a concert piece in Birmingham in 1922, and was first used as an integral part of the Mass in Westminster Cathedral in 1923.

Click here for tickets to Mozart Requiem.

MOZART REQUIEM

Saturday 18th November 7.30pm

Ladywood ARC, St John’s and St Peter’s Church.
Darnley Rd
Birmingham
West Midlands
B16 8TF

Mozart: Requiem 

Czerny’s four-hand piano accompaniment: Kevin Gill and Stephen Hargreaves.

Vaughan Williams: Mass in G minor

for unaccompanied double choir.

Vaughan Williams: Rhosymedre (organ)

Vaughan Williams: Fantasia on Greensleaves (KG and SH, piano)

Vocal soloists from the Birmingham Conservatoire: Olivia Thornber, Elise Fairley, Jack Dolan and Joseph Clayton

Birmingham Festival Choral Society.

Conductor: David Wynne.

 

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Birmingham Weekender

Birmingham was buzzing last weekend with hundreds of music and dance events happening in the ‘Birmingham Weekender’  event. There was ballet in the Bullring, an Orchestra playing in a multi storey car park, a parade through New Street led by a large mechanical elephant, and music and dance from all over the world.

[Photos: Christine Wright]

Birmingham Festival Choral Society was formed for the big Birmingham music festivals in Victorian times, so it was only right that we should be there at the big Birmingham music festival 170 years later!

We represented music of the Western Choral tradition, with pieces by Mozart, Elgar, Brahms and Chilcott.

[Photo: Jill Lampert]

[Above photos: Barry Whitehead]

It was a great experience to be a part of such an exciting event, and many of our singers took the chance to experience the performances going on over the city centre. The icing on the cake was having the chance to tour the brand new building of the newly honoured Royal Birmingham Conservatoire.

Come to our Open Rehearsal on 6th September!

The first Wednesday of term is always an Open Rehearsal. Come and have a sing with us! It doesn’t matter whether it’s years since you sang at school, or whether you’re a regular singer – all are welcome to try us, with no obligation. Chat to our singers over coffee and cake in the interval.

We are a friendly choir of men and women with a wide range of ages and abilities, united by a love of singing. This term we’ll be learning the Mozart Requiem and Vaughan Williams Mass in G minor for our November concert, followed by Carols for Christmas.

You can find more details about joining BFCS here: Join our choir

As well as giving concerts in Birmingham and the Midlands, we tour abroad every 3 years – great for singing experiences, as well as strengthening choir friendships. Further information can be found on our Tours page: Tours

The Open Rehearsal starts at 7pm on Wednesday 6th September – we hope to see you there!

 

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BFCS singers sightseeing during their tour in Burgundy, France. July 2016.

Carmina! How did it sound?

From the Birmingham Post, 22nd June 2017:

2017-06-29 10.51.45

 

Reviews sent to our website , from members of the audience.

Superb! I’m not musically trained but I’ve been listening to 
classical music for decades 
& have heard a number of recordings of the Orff. 
A live performance is audibly preferable – even if the production 
is less to one’s taste. 
THIS was so strikingly superior and “live” to any recording I’ve 
ever heard – plus we could 
see how the less featured instruments actually perform. 

The joint choir, the juniors and the soloists were powerful, 
subtle and convincing. 
We thought it an excellent experience for the young singers to be 
there in the midst of the 
whole performance – and weren’t they mature throughout! 

The Bernstein was entirely new to us, again, convincing in its 
linguistic variety and engrossing. 

As to what can be released from a Pandora’s suitcase! And how 
they acted their parts in it! 
An astounding evening we would not have missed. 

*****

A wonderful Saturday evening at the Bramall.
A warm (very) summer’s evening, a perfect setting in the University, an audience bursting with anticipation—-and amazing performances by everyone.
The sound was quite literally stupendous—it amazed and dazzled and overwhelmed….
Everyone involved must be—and quite rightly—very proud….

*****

A brief note to say how much we enjoyed the concert on Saturday. 

The Chichester Psalms were new to us and a little challenging. The percussion was excellent and superb entertainment. Carmina Burana was magnificent. Congratulations to all who took part.

The looks on the childrens’ faces at the percussionists’ faces was almost worth the ticket price alone. 
We frequently attend your concerts – travelling from Nuneaton.
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The friendly Birmingham choir singing the world's best choral music.