Category Archives: Oratorio

2023 Oratorio Competition winners!

The second Royal Birmingham Conservatoire Oratorio competition, sponsored by Birmingham Festival Choral Society, took place on Monday evening, 30th October. The six finalists treated the audience in the recital hall of the conservatoire to an evening of performances of the highest standard, singing music written by composers ranging from Bach and Handel to Durufle and Joubert.

BFCS’s big claim to fame is that we were the choir that performed the premiere of Elijah in 1846, so it was particularly good to hear three solos from that popular oratorio.

Ellen Smith, mezzo-soprano, was placed first, winning a financial prize, a trophy and a future engagement with BFCS. Ellen’s programme consisted of Es ist vollbract , from Bach’s St John Passion, Yet can I hear that dulcet lay, from the Choice of Hercules by Handel, and Pie Jesu from Durufle’s Requiem.

Second prize went to baritone Oliver Barker, who sang Lord God of Abraham from Mendelssohn’s Elijah, The Man he killed from the South of the line by John Joubert and Revenge, revenge, Timotheus cries, from Handel’s Alexander’s Feast.

Tenor Joe Yates was placed Third, after singing Domine Deus from Rossini’s Petite Messe Solenelle, The enemy said, from Handel’s Israel in Egypt, Deposuit potentes from Bach’s Magnificat and finally If with all your hearts from Mendelssohn’s Elijah

Tenor Daniel Marles and sopranos Abigail Baylis and Gabriella Rea Fanyvesi also delighted the audience with arias by de Lalande, Bach, Handel, Haydn, Mozart and Mendelssohn.

All 17 performances were expertly accompanied by Jonathan French on the piano.

The adjudicator for the Oratorio competition was our BFCS Music Director, David Wynne. Many in the audience were glad that they were not in David’s shoes, as it was so difficult to chose between the singers! Tracy Piotrowska , BFCS Vice-Chair made the presentations.

Congratulations to all the singers for such great performances. We’ll enjoy following their future careers in music. We particularly look forward to working with Ellen when she takes up her prize as the soprano soloist at one of our future concerts.

The Birmingham Festival Choral Society Oratorio Competition.

The first Birmingham Festival Choral Society Oratorio Competition, in association with the Royal Birmingham Conservatoire, was held on Monday 24th October. The audience was treated to a very high standard of singing from the shortlisted finalists: Ellen Smith, Matilda Wale, Noémie Johns, Julia Morgan, Abigail Baylis, Polly Clarke and Jia Huang.

Judges David Wynne (Music Director of BFCS) and Kevin Gill (BFCS accompanist) awarded the trophy to baritone Jia Huang, after his impressive performance of two Handel works: Revenge, Timotheus cries and Honour and arms.

Jia Huang was presented with the Birmingham Festival Choral Society Oratorio Trophy by David Fletcher, Chair of BFCS. As well as the trophy, Jia has won a financial prize and a future engagement singing with Birmingham Festival Choral Society.

Jia is pictured here with his accompanist, Guang Feng, and Paul Wingfield, the Head of the Vocal Department at the Royal Birmingham Conservatoire.

Runners up in the competition were Julia Morgan (2nd place) and Ellen Smith (3rd place), pictured here with the judges:

The judges with Julia Morgan 2nd place.

The judges with Ellen Smith, 3rd place.

Birmingham Festival Choral Society is proud to support young talent, and we wish great success to all the finalists in their future careers.

BFCS and the Premiere of Mendelssohn’s ‘Elijah’.

On 5th November 2022, we will be performing Mendelssohn’s famous oratorio, Elijah, at King Edward’s School in Edgbaston. This has particular significance for BFCS as it was 176 years ago, in 1846, that the choir gave the premier performance of this work, conducted by Mendelssohn himself, in the Town Hall, at the Birmingham Triennial Festival.

The Birmingham Triennial Festivals had started as early as 1768 and continued with festival choirs augmented by singers from other Midland cities and as far afield as London. Over time, Birmingham’s own choir increased in size and began presenting charity concerts, until in 1845 when the name Birmingham Festival Choral Society was first used.

At this time, Mendelssohn was enjoying huge popularity in England and already had a relationship with the Triennial Festival, having visited on two previous occasions to great acclaim. In 1845, the committee of the festival decided to ask Mendelssohn to conduct at the 1846 festival and whether he could provide an oratorio. Mendelssohn consented and worked to put the text for Elijah in its final form and in 1845 and 1846 composed his oratorio to the German and English texts in parallel.

Vast crowds thronged the streets for Mendelssohn’s arrival in Birmingham and on the morning of Wednesday 26 August 1846, Elijah was premiered at the Town Hall, with the composer conducting. There were close to 400 performers with an orchestra of 125 (mainly London players from the Philharmonic Society and the Opera) but with some local performers and a choir of 271 singers (with 63 from London).

The performance was a tremendous success. The Times newspaper wrote:

‘The last note of Elijah was drowned in a long-continued unanimous volley of plaudits, vociferous and deafening. It was as though enthusiasm, long-checked, had suddenly burst its bonds and filled the air with shouts of exultation. Mendelssohn, evidently overpowered, bowed his acknowledgements, and quickly descended from his position on the conductor’s rostrum; but he was compelled to appear again, amidst renewed cheers and huzzas. Never was there a more complete triumph – never a more thorough and speedy recognition of a great work of art.’

Mendelssohn himself wrote:

‘No work of mine ever went so admirably at its first performance, nor was received with such enthusiasm by both the musicians and the audience alike as this oratorio. No fewer than four choruses and four arias were encored!’

Sadly, Mendelssohn was only to return to England once more before his premature death in November 1847.

As you can appreciate, Elijah has always held a special place in our hearts at BFCS. Whilst we cannot promise a choir of 271 singers at our performance in November, you can be sure that we will do our very best to live up to the part we played in the proud history of this piece.

Elizabeth Vick, BFCS Archivist