We have an impressive line-up of talented artists for our ‘Petite Messe Solennelle’ concert at the Ruddock Centre, King Edward’s School, on 28th March. It promises to be a great concert!
The Petite Messe Solennelle was written by Rossini for performance at one of his popular ‘Musical Salons’ by a small choir, two pianos and harmonium. An interesting feature of our concert is that we will be accompanied by accordion and piano, an alternative accompaniment that was suggested by Rossini himself.
A significant part of the Petite Messe Solennelle is taken by our vocal soloists. We are very fortunate to have four soloists of such a high calibre. They have won an impressive number of prizes between them, and all have successful careers singing in opera and oratorio in Britain and overseas. Individual Biographies will be given in the programme at the concert, but links are also provided here, where available.
Come and hear BFCS sing Rossini’s lovely Petite Messe Solennelle on Saturday 28th March, at the Ruddock Performing Arts Centre, King Edward’s School.
The Petite Messe Solennelle was written for performance at one of the very popular weekly musical salons held by Rossini and his wife at their Paris home. As such, it was originally scored for a small choir, accompanied by two pianos, with harmonium or accordion. We are looking forward to singing with piano and accordion accompaniment.
Caroline Modiba, soprano, Rachel Gilmore, mezzo soprano,
Joseph Kennedy, baritone, Richard Hansen, tenor.
Kevin Gill, piano, Ben De Souza, accordion
Rossini achieved superstar status early in life, having written over 40 operas by the age of 37. The William Tell Overture is one of the pieces for which he is best known in popular culture today. There followed a period of 25 years of ill health, during which he didn’t compose any new music.
In 1855 Rossini ‘returned to life’ on moving to Paris with his second wife, and their musical salons became internationally famous. These salons included music by many composers, and they inspired Rossini to write over 150 small works for performance by different soloists and ensembles.
The Petite Messe Solennelle was Rossini’s last major work , written in 1863. The opera composer’s beautiful melodies , colour and drama make this one of the most popular works in the choral repertoire. We love singing it, and we’re sure that you will enjoy listening to it!
Last Saturday, 14th December, David Wynne put on his Christmas Suit (!) and led the singers of Birmingham Festival Choral Society and their friends and family in an evening of Christmas music and readings.
It’s hard to imagine a Carol Concert without music by Rutter! Our audience was treated to three of Rutter’s carols, as well as Christmas music by Tchaikovsky, Joubert, and many arrangements by David Willcocks. One highlight was The Three Kings, by Cornelius, with the baritone solo sung beautifully by Barry Jones , standing in at short notice for a croaky David Wynne. David’s voice was good enough, though to read out Christmas cracker jokes between the items!
We also heard readings from A Christmas Carol, (Dickens), The Oxen (Hardy) and Journey of the Magi (Rust)
We were pleased to have a chance to sing Ring the Bells by Paul Fincham once more. We were one of 15 choirs singing this new carol in performances on Saturday 14th December – the listing on the London Philharmonic website showed many performances during December, with all proceeds from the sale of the music going to the charity Crisis.
Our charity for this year was The Cameron Grant Memorial Trust, set up after Cameron took his own life in 2014. Cameron’s father told us how the charity aims to support young people with mental health difficulties, and to encourage them to seek help and talk about how they feel. Our generous audience and singers put £600 in the collecting buckets.
Our concert finished with an enthusiastic rendition of Jingle Bells, with members of the audience invited to join in by shaking their keys! Then it was time for the mulled wine and mince pies and a chance to chat to friends and family.
Our Christmas Concert is nearly here! It’s one of our favourite times of the year – Christmas music, mince pies and mulled wine in the warm and attractive venue of Ladywood ARC. We do hope that many friends, new and old, will be able to join us.
We will be supporting a charity that has grown out of great personal sadness. The Cameron Grant Memorial Trust has been founded to raise awareness and support mental health in young people. Please give generously.
Birmingham Festival Choral Society are pleased to be supporting Crisis, the charity fighting to end homelessness, at their Christmas Carol Service in St Martin’s in the Bullring.
To quote from their website:
Join us for Crisis Skylight Birmingham’s Carol Service at St Martin in the Bull Ring for an evening of carols, mince-pies and drinks as we gather together to kick-start our Season of Wellbeing and Celebration, honouring our achievements of the past and looking forward to a future without homelessness.
Tuesday 3rd December 2019 St Martin in the Bull Ring, Edgbaston St, Birmingham B5 5BB
Carol Service: 6pm – 7:00pm Refreshments: 7:00pm – 7:30pm
This is a free, public event but please click here to reserve a ticket so we can make sure we have enough mince pies for everyone!
To learn more about this worthwhile cause, please have a look at the Crisis website.
BFCS, and many other choirs across the country, will be singing the new carol ‘Ring the Bells for Christmas’. The composer, Paul Fincham, is donating all of his royalties from the purchase of the sheet music to ‘Crisis’. We are very pleased to support this fund raising venture.
Our Messiah concert on 16th November was a wonderful occasion for both performers and audience. So many people came to hear the concert that the conductor and performers had to be turned back five times, as people were still arriving and more chairs had to be found! Eventually we were all settled and that wonderful music began…
Handel certainly knew how to write music that is a pleasure to sing! We received many compliments from members of the audience on our diction, phrasing, dynamics and energy. One ordained listener said that the concert was an inspiring spiritual experience for him.
Please click the arrows to see photos from all sections of the choir.
The Musical and Amicable Society were a perfect balance to the choir. They played beautifully and effortlessly.
” The trumpet shall sound”
What did our concert have in common with the royal wedding of Harry and Meghan? David Blackadder, the trumpeter! At the royal wedding he played Handel’s beautiful ‘Eternal Source of Light Divine, with the soprano Elin Manahan Thomas.
He is on the right of this photo, with Matthew Frost.
Our wonderful soloists: James Williams, baritone, Phillipa Thomas, Mezzo, Penelope Appleyard, soprano and Xavier Hetherington, tenor.
The man who brought it all together: our talented Music Director David Wynne. His wardrobe of shoes is a constant source of fascination!
We were delighted with the standing ovation and long applause at the end of the concert . A memorable concert from start to finish!
Many thanks to Alfred White for this wonderful gallery of photographs. Thank you also to Mary Keating for the picture of ‘the shoes’ and one other from her seat in the audience.
We are delighted to to tell you about the top class soloists and baroque orchestra who will be performing ‘Messiah’ with us on 16th November! The concert will take place in the gothic church of St Alban the Martyr, Highgate, Birmingham, known for its beautiful acoustics.
THE BAROQUE ORCHESTRA
The Musical and Amicable Society society last performed with Birmingham Festival Choral Society in Bach’s St John Passion, in 2018. They are a collective of professional period-instrument specialists, performing in combinations ranging from small ensembles to full orchestra all over the country. Their presence will add a touch of Baroque magic to our performance!
Penelope Appleyard , Soprano.
Known for her clear and agile voice, Penelope Appleyard enjoys a busy freelance career as a soloist and ensemble singer, predominantly in the field of early music.
Penelope studied with Christine Cairns and Andrew King at the Royal Birmingham Conservatoire, and in 2019 was awarded Honorary Membership of the Conservatoire for notable success since graduation. She has performed and recorded throughout the UK and internationally.
Xavier Hetherington, Tenor.
After graduating from St John’s College, Cambridge, and a brief period of study in Moscow, Xavier returned to the UK to study privately with Christine Cairns. He won a prestigious scholarshiop to the Royal College of Music, London, where he learns with Russell Smythe.
As a concert soloist Xavier has sung in Cathedrals and churches throughout England and in halls such as St John’s Smith Square and Wigmore Hall. He supported by Opera Prelude and has taken part in Operas in many places including the Royal College of Music, Dartington Festival and in the chorus at Glyndebourne.
Phillipa Thomas, Mezzo.
Phillipa Thomas began her studies at the University of York, where she was awarded the Concerto Prize, before continuing to further success, winning first place in the Birmingham Conservatoire Singing Prize. Since then, she has performed many operatic roles.
On the oratorio platform, Phillipa has been fortunate to work as a soloist with renowned choral societies and orchestras across the UK. Her extensive knowledge of and passion for sacred music has led to frequent performances of works from a variety of periods.
Phillipa has also recorded numerous oratorio solos as part of a project with the professional ensemble Blossom Street Singers. Phillipa is currently working at Oper Köln in their production of Brett Dean’s Hamlet and future projects include a follow-up album to the widely acclaimed Blossom Street recording, This Day.
James Willams, Baritone.
James Williams studied at the Royal Academy of Music, London, during which time he received training from eminent figures, such as Richard Bonynge, Simon Keenlyside and John Shirley-Quirk. Since graduating, he has enjoyed an active performing career throughout the UK, Europe and Asia.
James served as Musical Director for Brent Opera during their productions of Macbeth, Martha, and Nabucco, while having worked as a répétiteur for various London-based opera companies. As a composer, he recently witnessed the premiere of his Mass for St. Helen, as well as his commemorative cycle of war songs for baritone and piano, performed to mark the 100th anniversary of the Armistice.
Saturday 16 November 2019, 7.30pm
Church of St Alban the Martyr, Stanhope St, Birmingham B12 0YF
September is nearly here, and that means that we’ll be singing together again! If you’re considering joining a choral society like ours, why not come along and give us a try at our Open Rehearsals on the 4th and 11th September? All new singers will be given a warm welcome, and will be introduced to others of the same voice part to guide them through the rehearsal. David Wynne, our Music Director, has the magic talent of bringing the best out of the choir with lots of humour on the way.
Details of our rehearsals, subs, voice test and expression of interest form can be found on our ‘Join our Choir’ page here.
The programme this year is very varied, ranging from the choral favourite’ Messiah’ in an Anglo Catholic church renowned for its acoustics, to a summer concert of choral jazz and blues in an informal setting. Come along and share these wonderful choral experiences with us!
The concert took place at the Music University in Bucharest. As we arrived for our rehearsal, graduation ceremonies were just coming to an end.
[Where you see dots below the picture, please click the arrows to see the full slide show.]
BFCS singers gathering in the auditorium:
Cor cu Dor sang in the first half of the concert, including an excellent performance of Bohemian Rhapsody and many other songs in English (from memory too!).
The two choirs came together to perform a Romanian folk song. We were glad that Cor cu Dor were able to keep up with the Romanian words at that pace – we couldn’t!
In the second half BFCS performed a programme of folk songs from the British Isles, music by English composers and choral classics. Alexandra Wynne was our soprano soloist, Kevin Gill our accompanist, and David Wynne our music director.
Taking the applause.
One member of the youth choir said “I hope that I can sing as well as you when I am old” (!)
Here’s the last verse of the lovely setting of Irish Blessing by Bob Chilcott, sung as an encore.
Many thanks to our photographers Alfred White and Marilyn Kent, for taking the photographs in such difficult conditions of extreme light and dark. Thanks also to Marilyn and Sandra Smith for the videos. We are grateful to Cor cu Dor for giving permission to use the photographs taken by their photographer Andra Aron.
Our summer concert of English choral music was held in the historic Collegiate church of St Mary, Warwick last Saturday, 6th July. It was a special day out for our singers and supporters, and it also introduced the choir to a new audience in Warwickshire.
The rehearsal gave us the chance to get used to singing in that big, airy space, accompanied by the grand piano, or the magnificent organ. Our gentlemen stood in the church’s semicircular choir stalls, and the sopranos and altos filled in the semicircle in front of the stalls.
The break between rehearsal and concert gave some the chance to explore the medieval Beauchamp chapel, with the magnificent tombs of three Earls.
The concert showed the full range of English choral music, from the purity of Stanford’s Blue Bird and folk song arrangements with piano, to the grand sound of Parry and Elgar with full choir and organ.
We sang music written by Tallis in the 16th Century and Purcell in the 17th century, right through to Bob Chilcott’s 21st century pieces.
Elgar’s Songs from the Bavarian Highlands showed a lighter side to the composer we thought we knew so well. A holiday souvenir with a difference!
Solo verses in the folk songs were sung by Mitch Holland and David Wynne, and Kevin Gill treated us to an organ solo: Stanford’s Postlude in D minor.
Finally, we sang Chilcott’s Irish Blessing as an encore. Singing it from memory made it feel extra special – a fitting end to our 2018/19 BFCS season.
Thanks to Peter Wright for the photographs of the choir.
The friendly Birmingham choir singing the world's best choral music.