All posts by christinewright55

I sing in the Birmingham Festival Choral Society and help run their website.

Singing for all ages in Bucharest.

Bucharest day 2 started with a free morning! Some singers set off bright and early for sight-seeing, but others took the opportunity to rest, communicate with home, write a tour blog (!) and just have a quiet stroll around and a bite to eat.

The University of Music was a 20 minute walk from the hotel, and soon identified by the graduating music students in cap and gown, and the BFCS poster on the notice board outside.

Inside, we had our first glimpse of the youth choir, Cor cu Dor, who were to share our concert that evening. As they rehearsed we were bowled over by their perfect performance of popular songs in English from memory. Their ages ranged from about 7 to 18 years of age,and they were led by an inspirational lady who communicated exactly what she wanted through her gestures, rather than a strict beat.

In the concert later we also heard them give an interesting representation of the dawn chorus, and other difficult rhythmic songs, but the star piece was a full version of Queen’s ‘Bohemian Rhapsody’ with choreography.

We learnt afterwards that they practise 3 times a week, and practise every day when they have a performance coming up.

Our performance provided a contrast, but we hope that the young people and the rest of the audience were inspired by hearing a full SATB choir from the English choral tradition, plus our soprano soloist Alexandra Wynne. They certainly responded to every song with whoops and cheers!

Solo lines in our folk songs were taken by David Wynne and Mitch Holland, and Geoff Evans and Barry Jones sang the solo lines in ‘Let all mortal flesh keep silence’.

This choir tour had been moved to May (instead of the usual July / August) in the hope of finding lower temperatures. However, the concert on the enclosed stage at the University of Music provided the full tour experience we remember so well from the past, with high temperatures exacerbated by us all standing so close together, resulting in sweat dripping into our eyes and onto the music, and running down our backs. Such is the lot of a touring musician!

The concert ended with the Cor cu Dor joining us again in stage to sing the Romanian song ‘Corborai din deal in vale’ together. The joint choir included singers covering an age span of 80 years, united by a love of singing. It was a good ending to a great concert!

This blog is being written on the coach to Brasov, Transylvania, for the second half of our tour. We look forward to posting about our experiences there.

BFCS on tour in Romania!

Greetings from Bucharest, where Birmingham Festival Choral Society are on tour!

We here travelled here on Monday, courtesy of Johnson’s coaches and Wizzair, arriving in our rooms at 9pm Romanian time. The first choice was whether to venture out into Bucharest to find food, or whether to settle for a packet of pretzels in the hotel bar and prioritise sleep!

We hit the ground running on Tuesday, with a rehearsal at 9am (following the logistics of 63 singers descending for breakfast at the same time). Concert clothes had been loaded onto the coach, and music had to be sorted into concert order.

The next challenge was to locate a bookstore in the centre of town for our first short performance. Singers set off on foot, or by metro or taxi, clutching maps, or phones with Google maps. Some did unexpected detours, others actually got there in time to have a drink beforehand!

We gathered in the beautiful Carturesti bookshop at midday, and spaced ourselves throughout the store. When Kevin stuck up the intro on the keyboard, we all burst into song with the first movement of Vivaldi’s Gloria! It made a big impact on the shoppers in the store, and they were soon filming us on their phones. We gathered together on the steps and did the remainder of our 20 minute performance. The store streamed the whole performance on Facebook- you can see it shared on our choir Facebook page.

It was lovely to have a few hours afterwards to enjoy lunch with other singers, before gathering again to be taken to the Titu Maiorescu University for our next rehearsal and concert. It was wonderful to be greated with dozens of posters for our concert on every door and wall space! Our hosts said that they were honoured that we had come, and provided us with welcome refreshments.

The concert took place in a modern auditorium, with a very appreciative audience. The choir rose to the occasion, despite the heat and a long stand with lots of heavy music. The Parry and Elgar were sung with gusto, and the folk songs and Stanford’s Blue Bird made a lovely contrast. The star of the show was our soloist Alexandra, with her amazing performance of Mozart’s Laudate Dominum and Alleluia. The audience rose to their feet at the end – so we sang them an encore and got a second standing ovation!

You can see that we squeezed a lot into our first 24 hours! Being on tour is not for the faint hearted, but the experiences will stay in the memory for years to come. We look forward to more Romanian adventures to come… watch this space!

Choir tour to Romania

Going on tour is one of the highlights of singing in Birmingham Festival Choral Society! In the past 30 years we have been to many places, the tours to Eastern European countries being particularly interesting and well received. We are really looking forward to keeping up this tradition when we visit Romania between 27th May and 2 June.

The choir and family supporters will stay 3 nights in the capital, Bucharest, followed by 3 nights in Brasov, Transylvania. Our plans include a flash mob in a bookshop, an informal sing in “Dracula’s Castle” (Bran Castle) and four main concerts.

Bran Castle

Our programme will include well known choral classics, a selection of music by English composers, and some arrangements of folk songs from the British Isles. Kevin Gill will provide organ and piano accompaniment , and David Wynne will be the Music director. It is a special treat to have David’s wife, Alexandra, as our soprano soloist, and family support will be provided by their baby Sidney and his grandparents!

One of the more interesting aspects of touring abroad is meeting local people. In Bucharest we look forward to sharing a concert with the Youth Choir Cor cu Dor, and in Brasov we will visit the charity Asociata Nevazatorilov for the blind and visually impaired, to give them the money that was donated by Birmingham singers and supporters at our last concert. We look forward to learning more about the valuable work they do.

Biserica Manastirii Sighisoara, venue for our last concert.

Finally, no tour would be complete without the informal concert party, at which singers show a full range of musical and comedy talents! Much fun is had on tour, and friendships made. We’re not known as the Big Friendly Choral Society for nothing!

Summer concert in beautiful Warwick

Join us in the beautiful town of Warwick on 6th July for our summer concert, ‘The English Choral Tradition’. We will be singing in the magnificent church of St Mary, visible for miles around due to its tall tower. A church has a great history, having been on this site for 1000 years, and housing the splendid tombs of three Earls in its gothic Beauchamp Chapel. Our concert will take place in the 17th century nave, with its tall pillars creating a wonderful space for choral music.

Our concert comprises a beautiful selection of sacred and secular English choral music:

Elgar, Give Unto the Lord
Elgar, Songs from the Bavarian Highlands
Bairstow, Let All Mortal Flesh Keep Silence
Stanford, Blue Bird
Parry, Blest Pair of Sirens
Tallis, O Lord, give thy Holy Spirit
Tallis, If ye love me
Purcell, Hear My Prayer
Chilcott, Londonderry Air
Chilcott, Irish Blessing

A selection of Folk Songs:
Afton Water (arranged by Willcocks),
The Oak and the Ash (arranged by Bairstow),
The Turtle Dove (arr Vaughan Williams),
Keel Row (arr Byrt),
Ca’ The Yowes (arr Vaughan Williams)

Piano/organ: Kevin Gill
Conductor: David Wynne

Click here for tickets to ‘The English Choral Tradition’.

Beautiful Brass!

 

Birmingham Festival Choral Society came together with Gemini Brass on 30th March to give a concert of glorious choral music. A full choir of 90 with brass ensemble and percussion performing grand works from royal occasions, such as ‘I was Glad’ (Parry), and ‘Coronation Te Deum’ (Walton), was a wonderful experience for both choir and audience.

Brass instruments aren’t just for loud music, however. This video clip shows Nigel Turner playing the beautiful trumpet solo in the third verse of ‘The Old Hundredth’, arranged by Vaughan Williams. It was recorded during our rehearsal by fellow trumpeter Mike Bates.

The clip above and the photo below show the choir singing ‘The Old Hundredth’ from memory. Although memory singing would not be possible in long, complex works, it is very liberating to do occasionally – and the conductor loves having all eyes watching him!

BFCS Gloria 2019 (Alf White) (20)

Brass and percussion are also an inspiring accompaniment for rhythmic choral works such as Rutter’s thrilling Gloria (which gave the title to the concert), and Vaughan Williams’ ‘O clap your hands’.

Contrast was provided in the concert by the beautiful melodic pieces of Will Todd and Jean Dattas. The sensitive piano and organ accompaniments were provided most ably, as always, by Kevin Gill.

BFCS Gloria 2019 (Alf White) (9)

The ‘Gloria’ concert included works by two composers with special links to BFCS. 2019 is the centenary of the birth of Jean Dattas, whose daughter, Sylvie, sings in BFCS and made us aware of his sacred choral compositions. Jean Dattas was a French organist, teacher and composer in Paris, then in London. It was good to have some English members of the family in the audience but, unfortunately, the French members of the Dattas family who were planning to get to the concert by Eurostar were prevented by problems both sides of the channel. We’re pleased that they were able to hear us perform Dattas’ Kyrie and Agnus Dei on tour in Burgundy three years ago.

We were also very pleased that some of John Joubert’s family were able to attend our concert to hear us perform his composition ‘O praise God in his holiness’ in his memory. John Joubert was Patron of BFCS for many years until his death in January of this year.

BFCS Gloria 2019 (Alf White) (4)

BFCS Gloria 2019 (Alf White) (5)

The dazzle of the brass instruments in the spot lights was nearly matched by the shiny gold shoes of our conductor, David Wynne!

We were delighted to have such a full audience for this concert, despite the clash with a lot of other concerts on the same evening. Their warm appreciation made all the hard work worthwhile. A great evening all round!

Many thanks to Alfred White for taking these excellent photos at the concert.

Gloria Full flyer

Gloria – a concert not to be missed!

We hope that you are looking forward to our ‘Gloria’ concert on Saturday 30th March. Here are the programme notes about the feast of music awaiting you there:

Welcome to our concert.  I trust that you weren’t expecting a quiet relaxing occasion: the title should give you a clue that this will be an evening of joyful celebration, and the presence of a brass band makes that even more obvious!  Variety is the name of the game, with no fewer than six British (and one French) composers represented, and there are links with four coronation ceremonies and several other royal occasions.  We may also note how composers often draw inspiration from the Bible, with settings of four psalms and another scripture passage on display.

By far the oldest text which we are performing is the “Old Hundredth”, an English version of Psalm 100 which first appeared in the Anglo-Genevan Psalter (1561).  The words are attributed to a Scots clergyman, William Kethe, and the tune to a Frenchman, Louis Bourgeois.  The arrangement which we are singing (which includes the instruction “all available trumpets” for the final verse!) was made by Ralph Vaughan Williams (1872-1958) for the coronation of Queen Elizabeth II in 1953.

Vaughan Williams had written a Te Deum for the coronation of George VI in 1937, and might well have hoped for a repeat performance in 1953.  Instead, however, William Walton (1902-1983) was commissioned to write a new version, which is the one we are singing tonight.  The words of the Te Deum, a translation of a fourth-century Latin hymn, describe how God is praised by many different groups.  Here they are given a dramatic setting, full of antiphonal effects and making good use of the brass – as you would expect for the pomp of a coronation.  It was first sung as the Queen left at the end of the ceremony.  Although we are not singing Vaughan Williams’ setting, we are (in compensation?!) featuring his exuberant setting of Psalm 47, O clap your hands, written in 1920.

The anthem which has been sung at every coronation since 1902 is the spectacular I was glad, by Hubert Parry (1848-1918).  As it happens, the tradition of singing Psalm 122 as the monarch enters Westminster Abbey dates all the way back to Charles I, the words having been set by a number of composers including Henry Purcell and William Boyce.  At the 1902 coronation, Parry’s setting actually had to be sung twice, as the director of music misjudged the timing and finished it before King Edward VII had even arrived!

We are also featuring pieces by two composers with special links to BFCS.  To mark the centenary of his birth, we will perform three pieces by Jean Dattas (1919-1975), former organist of Notre Dame in Paris, whose daughter is one of our sopranos.  When we first sang the two movements from his Messe cum Jubilo in 2016, on our tour of Burgundy, they excited great interest: tonight we are adding a simple but effective setting of Ave Maria.  And as a tribute to our patron John Joubert (1927-2019), who died two months ago, we are singing his exuberant setting of Psalm 150, O praise God in his holiness.

Listen to BFCS singing music by Jean Dattas on tour in Auxerre, France.

So to our youngest composer, Will Todd (born 1970), whose jazzy Mass in Blue we performed last July.  The three pieces in this concert have a more traditional feel, albeit with several syncopated episodes.  The Lord is my Shepherd, a setting of the well-known Psalm 23, is part of a Te Deum which was commissioned in 2009, and Stay with me, Lord was commissioned by the Sixteen in 2008, but then extensively rewritten for a 2012 performance by Tenebrae.  The third piece, The Call of Wisdom, has a royal connection: it was composed for the Queen’s diamond jubilee, and first performed at St Paul’s Cathedral on 5 June 2012 in her presence.  In the text, taken from the book of Proverbs, Wisdom calls on us to follow her, ignoring the lures of gold or silver.

The actual title of our concert derives from our final musical offering.  John Rutter (born 1945) has recently composed pieces for two different royal occasions; however, his setting of the Gloria is an earlier work, dating from 1974.  Rutter divides the text into three sections: the first is fast and full of verve, whereas Domine Deus is quiet and meditative, with some beautiful solos for the upper voices.  The final section, Quoniam tu solus sanctus, starts at almost breakneck speed; it finishes with a repeat of the opening Gloria, a lively fugue (Cum sancto Spiritu), and a splendid Amen.  It has been said that Rutter “writes music that people want to perform and to hear”.  We have certainly enjoyed preparing this piece, and indeed the whole repertoire – so we hope you will enjoy listening to it all!

David Fletcher

Gloria Full flyer

Gloria! Choral works with organ, brass and percussion.

Saturday 30th March 7.30pm

Glorious choral works with organ, brass and percussion. The concert includes works written for royal occasions, and music written by Jean Dattas, who was born 100 years ago.

Rutter: Gloria, 
Walton: Coronation Te Deum, 
Parry: I Was Glad,
Vaughan Williams: Old Hundredth,
Vaughan Williams: O Clap Your Hands,
Will Todd: The Lord is my Shepherd,
Will Todd: Stay with Me Lord, 
Will Todd: Call of Wisdom, 
Jean Dattas: Ave Maria, Kyrie and Sanctus.

Birmingham Festival Choral Society,
Gemini Brass,
Kevin Gill: organ,
David Wynne: conductor.

St John’s and St Peter’s Church, Ladywood ARC, Darnley Road, Birmingham, B16 8TF

Click here for tickets to ‘Gloria’.

New Year’s Resolution? Join a Choir!

Do you, or someone you know, fancy joining a choir – but aren’t quite sure? Why not come along to our Open Rehearsal on Wednesday 9th January? We’re a friendly group of men and women of all ages, united by a love of singing.

Come along to Lordswood Girls School  at 7pm to have time to be welcomed, and introduced to someone in your voice part who will help guide you through the rehearsal. We’ll have a break for refreshments and socialising half way through. The rehearsal finishes at 9.30pm.

Click here for more information about joining our choir. We’d be grateful if you would pass this information on to anyone you think might be interested in our Open Rehearsal.

This is the concert we’ll be working towards this term. It includes some lovely choral classics , and some new works too. All wonderful to sing and enjoy!

Gloria Full flyer

Christmas cheer!

Birmingham Festival Choral Society’s annual Christmas charity carol concert was held at Ladywood ARC last Saturday. The weather was bitter outside, but the atmosphere inside the church was warm and welcoming. 

The concert started with a welcome:  ‘Wolcom  Yule’, from Britten’s Ceremony of Carols, arranged for higher voices:

The sopranos and altos sang three more works from the much-loved ‘Ceremony of Carols’ in this concert: ‘There is no rose’, As dew in Aprille’ and ‘This little babe’.

To redress the balance, the tenors and basses sang ‘In the bleak midwinter’, arranged for men’s voices. A real treat!

 

The remainder of the concert included Joubert’s arrangement of ‘There is no rose’, and carol arrangements from ‘Carols for choirs’ – new and familiar. Christmas poetry, some amusing, some thought provoking, also added to the enjoyment of the evening. The audience joined in the well known carols, and the sopranos had fun singing the descants!

The nominated charity this year was BID Services, formerly Birmingham Institute for the Deaf. One of the representatives for the charity told us about the valuable work they do. They then provided sign language interpretation in the hymn ‘Hark the Herald Angels Sing’.

 

 

There was no excuse for singers not looking at the conductor as he was wearing THAT SUIT once again!!!

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The concert ended with festive refreshments- mince pies and mulled wine – and a chance to chat to our guests and put some money in the collecting buckets for BID services.

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Many thanks to Mel, Marilyn and Bryan who sent us photos from the audience.

Xmas 18 flyer web (1) - Copy

Come to our Christmas Charity carol Concert!

Take a break from the Christmas preparations, and come and enjoy an evening of Christmas music with Birmingham Festival Choral Society!

Ladywood ARC

Next Saturday the choir will be singing carols old and new, and a selection from Britten’s ‘Ceremony of Carols’. The evening will also include readings of Christmas poetry and opportunities for the audience to join in singing well-known carols. 

We hope that the concert will raise a big sum for our nominated charity: B.I.D. Services (formerly Birmingham Institute for the Deaf). A representative of the charity will tell us about the important work they do.

Last but not least, we’d love you to join us for seasonal refreshments after the concert!

Click here for tickets to our concert.