Category Archives: Vaughan Williams

War and Peace, conveyed through music.

A term’s work came to fruition in our two ‘Grant us Peace’ concerts: on 10th November in The Crossing Church, Worksop and 17th November in St George’s Church, Birmingham. The concerts came at a time when the media had been full of programmes and events about the centenary of the ending of the First World War. ‘Eternal Light’ by Howard Goodall and ‘Dona Nobis Pacem’ by Vaughan Williams gave musical expression to the emotions around the tragedy of war and the desire for peace.

A fascinating blog about our concert programme and the background to the music can be read here. It was written by Anne Elliott, Music Librarian at the Library of Birmingham:

https://lobmusiclibrary.wordpress.com/2018/11/15/grant-us-peace/

‘Eternal Light’ by Howard Goodall was particularly well received by both choir and audience. This work was based on the Requiem Mass, with the addition of words from the war poets, set to beautiful melodies. The rhythmically challenging sections which had caused so many problems in rehearsal, were very powerful when they came together, and made an effective contrast to the slower movements. It was good to be able to communicate this to the composer on Twitter and receive a reply!

It was not possible to communicate directly with a composer who died 60 years ago, but the Vaughan Williams work ‘Dona Nobis Pacem’ was much enjoyed nonetheless. Dramatic war sections alongside lyrical hopes for peace made it a moving piece to sing and listen to.

Behind the altos was a poignant plaque to Raymond Lodge, the son of the Principal of Birmingham University, who was killed in action in 1915. At the end of the church was the main war memorial with the shocking list of all 72 young men from St George’s parish who died in the First World War.

We are indebted to Alfred White who took the following great pictures of the Birmingham concert – a night to remember!

Our performers: Holly Teague, soprano, Miles Taylor, baritone, Vera Khait, harp, Kevin Gill piano, David Wynne, conductor. Darren Hogg was hidden away, playing the organ.

The combined choir of Birmingham Festival Choral Society and Ryton Chorale singing in St George’s Church:

And finally – the conductor’s shoes!

Grant Us Peace!

Read Birmingham Music Library’s  new blog about our ‘Grant us Peace’ concert, a singer’s experience of singing the music, and some fascinating background information.

In Concert

Once again, we hand over the blog to another musical organisation. This time it’s Birmingham Festival Choral Society and their contribution to the Armistice commemorations. We met members of BFCS in an earlier post which talked about a weekend away rehearsing. As this post goes out, it falls between two concerts which BFCS and Nottinghamshire-based Ryton Chorale are presenting together on the theme of war and peace. The two works are Howard Goodall’s Eternal Light, and Ralph Vaughan William’s Dona Nobis Pacem.

Poppies in Flanders Poppies flowering in Flanders

I know the VW well, having played in two performances, but I don’t know the Goodall. Both composers take ancient Latin texts from the church liturgy and add new words. In VW’s case, more poetry from his beloved Walt Whitman, and the Old Testament; and from various sources for Goodall’s work.

Here’s a piece from one of BFCS’ singers about her experience…

View original post 674 more words

‘Grant us Peace’. Reflections on war and peace.

The ‘Grant us Peace’ at St George’s Church, Edgbaston, on Saturday November 17 at 7.30pm brings together two choral societies who share David Wynne as their Music Director: Birmingham Festival Choral Society (BFCS) and Ryton Chorale in Worksop.

Pieces chosen give much food for thought about the tragedy of the lives lost and the effect on those left behind. Music includes Ralph Vaughan Williams’ 1936 cantata Dona Nobis Pacem, and Howard Goodall’s Requiem Mass, Eternal Light, first performed on the 90th anniversary of the Armistice in 2008.

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Dona Nobis Pacem meaning Grant Us Peace was written in the vanguard of the Second Word War by a composer deeply affected by his earlier experience as a stretcher bearer in the Great War.

The cantata opens with a prayer from the Catholic requiem mass, which gives the work its title, and also quotes liturgical and scriptural texts along with secular poems; notably by the 19th Century American poet Walt Whitman, who himself had served as a medic during the Civil War.

In comparison, composer Howard Goodall was known in his early career for his film and television themes. But his piece Eternal Light: A Requiem aims for a mood of solace for the grieving. He even described his work as being “a requiem for the living, addressing their suffering and endurance…focussing on the consequences of interrupted lives”. The work ends with Cardinal Newman’s poem “Lead Kindly Light”.

The concert on November 17 features soloists, who are all current or recent award-winning students from the Royal Birmingham Conservatoire. These include Holly Teague (Soprano), Miles Taylor (Baritone), Vera Khait (Harp), Kevin Gill (Piano) and Darren Hogg (Organ).

Tickets can be bought in advance here or on the door and cost £14 adults (£7 under 16, students, and escorts for disabled people)

The full Grant Us Peace concert programme is:

Saturday 17 November 2018, 7.30pm

St George’s Church, Edgbaston, Birmingham, B15 3DQ

Howard Goodall, Eternal Light

Vaughan Williams, Dona Nobis Pacem

Birmingham Festival Choral Society and Ryton Chorale.

Holly Teague, Soprano

Miles Taylor, Baritone

Kevin Gill Darren Hogg, Piano and organ.

Vera Khait, harp

Conductor: David Wynne

From concert entry in ‘Weekend Notes’ by Alison Brinkworth, taken from press release by Tom Dance (BFCS Bass singer). Link to original article here.

 

 

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Introducing the team for our November concerts.

The singers of Birmingham Festival Choral Society are  looking forward to joining with Ryton Chorale, David Wynne’s other choir, for two performances of ‘Grant us Peace’:

Saturday 10th November 7.30pm
Crossing Church and Centre, Newcastle Street,
Worksop S80 2AT

Saturday 17th November 7.30pm
St George’s Church, Edgbaston,
Birmingham, B15 3DQ.

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The vocal soloists for both concerts will be Holly Teague, soprano, and Miles Taylor, baritone.

Originally a violinist, Holly’s love of literature and theatre led her to study singing at the Royal Birmingham Conservatoire and Conservatoire de Paris. Holly appears regularly as soloist for choral societies, enjoys singing in opera productions, and looks forward to teaching singing again at MAC in 2019.

Miles has much experience of singing in opera, oratorios and competitions in Yorkshire. He is now studying for a Master’s Degree at the Royal Birmingham Conservatoire.

 

As an extra treat, we will have a harp accompaniment in Howard Goodall’s ‘Eternal Light’, played by Vera Khait.

Vera grew up in Russia, and came to study at the Birmingham Conservatoire in 2008. She now preforms regularly in classical music concerts, and has also worked in TV music with Sky Arts and Channel 4.

Vera Khait

 

We have a quartet of accomplished keyboard players to accompany the choirs in the two concerts.

For the Worksop concert on 10th November, Rupert Jeffcoat will play organ for both works, and Mitchell Holland will play the piano in ‘Eternal Light’. When not playing, Mitch will be singing in the tenor section of BFCS!

In Birmingham on the 17th November,  BFCS accompanist Kevin Gill will play the piano part in the Goodall and Darren Hogg will play the organ in both works.

 

 

Finally – the chorus will be formed from the singers of Ryton Chorale and the Birmingham Festival Choral Society , under the baton of maestro David Wynne! This is the first time that David’s choral societies have come together , and we look forward very much to singing together in the home towns of the two societies.

David Wynne, conductor.
David Wynne, conductor.

 

Ryton Chorale
Ryton Chorale

 

Birmingham Festival Choral Society.
Birmingham Festival Choral Society

‘Mozart Requiem’ – 18th November!

We do hope that you will be able to come to hear two beautiful works of choral sacred music at the next  Birmingham Festival Choral Society concert.

Mozart’s much-loved Requiem will be performed by BFCS on 18th November, using Czerny’s beautiful, and rarely-heard, accompaniment for piano (four hands).

Mozart died at only 35 – poignantly, whilst working on his Requiem Mass. The mysterious circumstances around his last days formed the basis of the film ‘Amadeus’. The Requiem is a serene epitaph to a supremely gifted and revered composer.

In contrast, Ralph Vaughan Williams lived until his mid-80s. His Mass in G Minor, the other work in the concert, is notable for being the first Catholic Mass to be written in England since the Reformation. His experiences shortly before, as an ambulance driver in in the first World War, must surely have had some influence on the contemplative style of the piece. The Mass reflects the style of Byrd and other great Elizabethan church composers which was enjoying a revival in the early 20th century. It was first performed as a concert piece in Birmingham in 1922, and was first used as an integral part of the Mass in Westminster Cathedral in 1923.

Click here for tickets to Mozart Requiem.

MOZART REQUIEM

Saturday 18th November 7.30pm

Ladywood ARC, St John’s and St Peter’s Church.
Darnley Rd
Birmingham
West Midlands
B16 8TF

Mozart: Requiem 

Czerny’s four-hand piano accompaniment: Kevin Gill and Stephen Hargreaves.

Vaughan Williams: Mass in G minor

for unaccompanied double choir.

Vaughan Williams: Rhosymedre (organ)

Vaughan Williams: Fantasia on Greensleaves (KG and SH, piano)

Vocal soloists from the Birmingham Conservatoire: Olivia Thornber, Elise Fairley, Jack Dolan and Joseph Clayton

Birmingham Festival Choral Society.

Conductor: David Wynne.

 

Mozart req 4