Category Archives: Auxerre

French feedback

One of the highlights of our tour was the enthusiastic response of the French audiences, and the fact that people travelled to different cities in Yonne to hear us again, bringing friends and family with them.

One member of the audience at St Julien du Sault uploaded this recording of our encore:

Halleluja! Section of our Encore at St Julien du Sault, recorded by Guy Bourras.

L’Yonne Republicaine, the newspaper for the region, published the following reviews of three of our concerts:

St Julien du Sault

Review from St Julien du Sault

Sens Cathedral

Review from Sens concert

Vezelay

Review from Vezelay

Auxerre

Review from Auxerre

 

Auxerre – the final concert.

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Auxerre is the capital of the county of Yonne which makes up a quarter of Burgundy. It seemed fitting that our last concert was held in Auxerre, as this had been our base for our five days on tour. 

Have a look once again at our tour video – it means so much more, now that we have visited these beautiful places!

Click here: A glimpse of the places in Burgundy where BFCS toured in July 2016

There had been several opportunities to spend time in Auxerre over the five days, and BFCS singers had enjoyed exploring the town and eating and drinking there.

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Horloge astronomique. Auxerre.

The final concert was held in the church of St Pierre which, the video tells us, has a better acoustic then the Cathedral. We were driven, wearing our choir uniform, to the coach park by the River Yonne, and then walked across the bridge to the church in the town. Some of us were asked if we were a hen party, as we were all dressed the same!! When we explained that we were a choir, our questioners said straight away “Oh yes – from Birmingham. We’ve seen about you in the paper!”

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Church of St Pierre, Auxerre

We were feeling very hot and tired at the rehearsal, and tuning began to suffer. Would this last concert be an anticlimax after the three wonderful concerts that had gone before?

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BFCS rehearsal in the Church of St Pierre, Auxerre.

We should have known better! Once again, the church miraculously filled up with 300+ people, the adrenaline kicked in, and we rose to the occasion. The tenors and basses at the back said that it was one of the best concerts of all, as all of the parts could be heard clearly, not blurred into a mush by a large resonance, as at Vezelay. One of the joys of touring is that you get to know the works very well, and we were confidently singing much of it from memory. We had all grown to love the ‘Cum Jubilo’ Mass (Dattas) in particular (the Rutter ‘Home is a special kind of feeling’ not so much!). Mozart’s Ave Verum Corpus, ‘God be in my Head'(Walford Davies)  and Notre Pere (Kedroff) were all very moving to sing. We each had our favourites from the thirteen works in the programme.

Sarah Anne endeared herself to the audience by speaking to them in French, then kicking off her shoes and standing on a chair to sing her solos!

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A full house to hear our concert in the church of St Pierre, Auxerre.
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Sarah-Anne Cromwell sings Mozart’s Exsultate Jubilate and Alleluia.

Once again, the audience started slow hand clapping for an encore and they were rewarded with the Hallelujah chorus! Roger Millot appeared again with single roses for the sopranos and altos who hadn’t received one in Vezelay. As the singing ended, Patrick mouthed “finished”. Not only was it the last performance of the tour, but it was the last one that Patrick would conduct as our Music Director.

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Patrick and Gill Larley after his last BFCS performance, in Auxerre.

We made our way back across the bridge, with its beautiful view of the Cathedral at dusk. There followed a meal at the hotel, and BFCS concert party from midnight to 1.30am! Despite this, everyone was up in time for the coaches to set off for Birmingham at 9am the next morning – there was plenty of time for sleeping on the 14 hour journey.

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BFCS tours are a marvellous way of bringing everyone together to share wonderful singing in inspiring venues in beautiful parts of the world. The friendships made on tour all help to strengthen our choir throughout the year. The fact that about 90% of the whole choir had come on the tour, with ages ranging from 15 to 83 , shows how much they are enjoyed by everyone, and we would like to thank all of the tour organisers for making it all possible.

Christine Wright (2nd soprano)